{"title":"$25,000 and Up","description":"","products":[{"product_id":"chagall-love-is-a-god-my-children","title":"026 - \"Love is a god, my children…\" (In the Land of the Gods, M.532), 1967","description":"\u003cp\u003e\"\"Love is a god, my children…\" (M.532)\" is a lithograph on Japon paper created by Marc Chagall in 1967 for his series 'In the Land of the Gods'. From the edition of 145, the artwork is signed 'Marc Chagall' lower right and annotated lower left. The artwork is framed in a custom closed-corner gold-tone frame and has a framed size of 37.5 x 32\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eMarc Chagall, “Love is a god, my children… (M.532), 1967”\n\u003cbr\u003eFrom ‘Sur la terre des dieux’\n\u003cbr\u003eFull title text: Love is a god, my children, He is young, handsome, and has wings; that is why he delights in youth, seeks beauty, and captivates souls, possessing even more power than Jupiter himself.\u003c\/p\u003e\n\n\u003cp\u003eMarc Chagall’s “Love is a god, my children… (M.532),” created in 1967 for the celebrated lithographic suite ‘Sur la terre des dieux,’ distills many of the themes that defined his late career. Poetry, myth, and radiant color converge in an image that presents love not simply as emotion, but as a divine and animating force.\u003c\/p\u003e\n\n\u003cp\u003eThe title paraphrases the ancient Greek writer Longus, who described Love as youthful, winged, and more powerful than Jupiter himself. Chagall transforms this classical idea into a dreamlike vision. Figures float and intertwine within a luminous field of blues and greens, suspended in a gravity defying space that feels both celestial and intimate. Rather than illustrating a specific literary episode, Chagall translates philosophy into sensation. Love becomes the organizing principle of the composition, dissolving boundaries between sky and earth.\u003c\/p\u003e\n\n\u003cp\u003eThe print belongs to ‘Sur la terre des dieux,’ a suite of twelve original color lithographs produced at Atelier Mourlot in Paris, the workshop central to Chagall’s greatest achievements in printmaking. The series reimagines figures from antiquity, including Aeschylus, Homer, and Longus, through Chagall’s personal symbolic language. Within this context, “Love is a god…” stands out for its direct emotional clarity. While other plates reference epic or tragic traditions, this work centers on the transformative power of love.\u003c\/p\u003e\n\n\u003cp\u003eChagall’s affinity with Longus is natural. The pastoral romance ‘Daphnis and Chloe’ presents love as a divine force that shapes identity and transcends fear. This vision aligns seamlessly with Chagall’s lifelong imagery of lovers floating above villages, cities, and landscapes. Over the decades, he returned to love as sacred and redemptive. His approach was interpretive rather than literal, absorbing ancient texts and reshaping them into modern visual poetry.\u003c\/p\u003e\n\n\u003cp\u003eFor collectors, the print carries multiple layers of significance. It represents a mature, conceptually rich period of Chagall’s graphic production. It is rooted in classical thought yet expressed through modernist color and fluid line. As part of a highly regarded suite, it also maintains strong visibility and demand.\u003c\/p\u003e\n\n\u003cp\u003eAbove all, “Love is a god…” embodies Chagall’s conviction that love, like art, is a supreme and unifying power, binding memory, myth, and imagination into a single luminous image.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Default Title","offer_id":32411756363847,"sku":"LTCHAC532SC","price":68850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/Love_is_God_My_Children_LTCHAC532SC_NU0046_ed_bl.jpg?v=1762884825"},{"product_id":"mapplethorpe-silver-dollar","title":"118 - Silver Dollar, 1988","description":"\u003cp\u003e\"Silver Dollar\" is a silver gelatin print created by Robert Mapplethorpe in 1988. From the edition of 17, the artwork is signed, titled and dated on verso. The artwork is framed in a contemporary black frame and has a framed size of 29.75 x 33.5\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Robert Mapplethorpe","offers":[{"title":"19.25 x 23","offer_id":16686588395591,"sku":"GRMAP000101","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/587_GRMAP000101__P-Image_silver_dollar_black_white_grmap000101_282fbed0-fe13-4786-b1c4-5868ab985909.jpg?v=1785179261"},{"product_id":"takara-night-onto-day","title":"189 - Night Into Day, c.1980s","description":"\u003cp\u003e\"Night Into Day\" is an acrylic on canvas painting created by Seikichi Takara c.1980. The artwork is signed 'S Takara' lower left. The artwork ships framed in a contemporary white frame and has a framed size of 56 x 66\".\u003c\/p\u003e","brand":"Seikichi Takara","offers":[{"title":"50 x 60","offer_id":16687316795463,"sku":"ORTAK058100","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/719_ORTAK058100__P-Image_night_onto_day_ortak058100copy.jpg?v=1785346267"},{"product_id":"twombly-natural-history-mushrooms-plate-i","title":"116 - Natural History: Mushrooms - Plate I, 1974","description":"\u003cp\u003e\"Natural History: Mushrooms - Plate I\" is a lithograph with collage and hang painting created by Cy Twombly in 1974 for his \"Natural History: Mushrooms\" series. From the edition of 116, the artwork is signed 'CT' and annotated lower right. The artwork is framed in a contemporary black frame and has a framed size of 44.75 x 36.75\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Cy Twombly","offers":[{"title":"30 x 22","offer_id":16687524151367,"sku":"LTTWOM001SC","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTTWOM001SC__P-Image_plate_I_lttwom001sc.jpg?v=1785271985"},{"product_id":"twombly-natural-history-mushrooms-plate-iii","title":"117 - Natural History: Mushrooms - Plate III, 1974","description":"\u003cp\u003e\"Natural History: Mushrooms - Plate III\" is a lithograph with collage and hang painting created by Cy Twombly in 1974 for his \"Natural History: Mushrooms\" series. From the edition of 116, the artwork is signed 'CT' and annotated lower right. The artwork is framed in a contemporary black frame and has a framed size of 44.25 x 36.5\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Cy Twombly","offers":[{"title":"30 x 22","offer_id":16687524380743,"sku":"LTTWOM003SC","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTTWOM003SC__P-Image_Natural_History_Mushrooms_Plate_III_LTTWOM003SC_NU0013.jpg?v=1785272025"},{"product_id":"kondakova-paris-je-taime-souvenirs-de-paris","title":"064 - Paris je t'aime \/ Souvenirs de Paris, 2014","description":"\u003cp\u003e\"Paris je t'aime \/ Souvenirs de Paris\" is an acrylic on masonite board painting created by Liudmila Kondakova in 2014. The artwork is signed 'L. Kondakova' lower right. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 56.75 x 45\".\u003c\/p\u003e","brand":"Liudmila Kondakova","offers":[{"title":"Default Title","offer_id":16880324968519,"sku":"ORKONM71700","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORKONM71700__P-Image_paris_je_taime_souvenirs_de_paris_orkonm71800copy.jpg?v=1761251868"},{"product_id":"hofmann-angel-of-light","title":"Angel of Light, 2013","description":"\u003cp\u003e\"Angel of Light\" is an oil on masonite board painting created by Douglas Hofmann in 2013. The painting is signed 'Hofmann' lower right. The artwork ships framed in a custom closed-corner ornate black and silver tone frame and has a framed size of 49 x 61\".\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"Default Title","offer_id":32411832975431,"sku":"ORHFM201308","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORHFM201308__P-Image_angel_of_light_orhfm201308copy.jpg?v=1760655461"},{"product_id":"hofmann-days-of-summer","title":"411 - Days of Summer, 2017","description":"\u003cp\u003e\"Days of Summer\" is an oil on panel painting created by Douglas Hofmann in 2017. The painting is signed 'HOFMANN' lower right. The artwork ships framed in a contemporary white frame and has a framed size of 39.5 x 55.5\".\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"36 x 52","offer_id":16906315530311,"sku":"ORHFM201706","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORHFM201706__P-Image_days_of_summer_orhfm201706copy.jpg?v=1760655882"},{"product_id":"hofmann-muse","title":"Muse, 2016","description":"\u003cp\u003e\"Muse\" is an oil on panel painting created by Douglas Hofmann in 2016. The painting is signed 'HOFMANN' lower right. The artwork ships framed in a custom closed-corner ornate black and silver tone frame and has a framed size of 58 x 53\".\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"48 x 43","offer_id":16906469670983,"sku":"ORHFM201608","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORHFM201608__P-Image_Muse_ORHFM201608copy.jpg?v=1760656603"},{"product_id":"hofmann-persephone","title":"Persephone, 2015","description":"\u003cp\u003e\"Persephone\" is an oil on panel painting created by Douglas Hofmann in 2015. The artwork is signed 'HOFMANN' lower right. The artwork ships framed in a contemporary white frame and has a framed size of 48.5 x 35.5\".\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"43.25 x 30","offer_id":16906488578119,"sku":"ORHFM201508","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORHFM201508__P-Image_hofmann_670_hfm_persephone_orhfm201508.jpg?v=1754668277"},{"product_id":"hofmann-the-last-supper","title":"The Last Supper, 2015","description":"\u003cp\u003e\"The Last Supper\" is an oil on panel painting created by Douglas Hofmann in 2015. The artwork is signed 'HOFMANN' lower right. The artwork ships framed in a contemporary white frame and has a framed size of 35.5 x 46.5\".\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"Default Title","offer_id":32568652726343,"sku":"ORHFM201509","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORHFM201509__P-Image_untitled_seated_woman_and_painting_orhfm201509copy.jpg?v=1760657586"},{"product_id":"muniz-west-palm-beach-postcards-from-nowhere","title":"West Palm Beach (Postcards from Nowhere), 2014","description":"\u003cp\u003e\"West Palm Beach\" is a chromogenic print created by Vik Muniz in 2014 for his 'Postcards from Nowhere' series. The artwork is accompanied by a signature label. The image size is 60.5 x 40\" and the artwork is framed in a contemporary black frame. The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Vik Muniz","offers":[{"title":"Default Title","offer_id":16907885576263,"sku":"PTMUN201403","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/PTMUN201403__P-Image_WestPalmBeach_PostcardsfromNowhere__PTMUN201403copy.jpg?v=1761683693"},{"product_id":"muniz-haystack-after-monet-3-pictures-of-color","title":"Haystack, After Monet #3 (Pictures of Color), 2001","description":"\u003cp\u003e\"Haystack, After Monet #3\" is a chromogenic print created by Vik Muniz in 2001 for his 'Pictures of Color' series. The artwork is accompanied by a signature label. The image size is 47.5 x 67\" and the artwork is framed in a contemporary black frame. The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Vik Muniz","offers":[{"title":"Default Title","offer_id":16908232851527,"sku":"PTMUN200102","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ptmun200102_haystack_after_money_no3_pictures_of_color_ap0001.jpg?v=1775769049"},{"product_id":"muniz-reversal-grey-marilyn-pictures-of-diamond-dust","title":"Reversal Grey Marilyn (Pictures of Diamond Dust), 2003","description":"\u003cp\u003e\"Reversal Grey Marilyn\" is a chromogenic print created by Vik Muniz in 2003 for his 'Pictures of Diamond Dust' series. The artwork is accompanied by a signature label. The artwork is framed in a contemporary black frame and has a framed size of 57.75 x 51.25\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e","brand":"Vik Muniz","offers":[{"title":"55 x 49","offer_id":16908299632711,"sku":"PTMUN200305","price":118500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/reversal_grey_marilyn_ptmun200305_nu0004_9584a3be-b781-4f5b-8d2d-b58f5e693f5f.jpg?v=1775768767"},{"product_id":"picasso-picasso-at-the-fountain-of-canaletas-347-series-b-1561","title":"Picasso at the Fountain of Canaletas (347 Series, B.1561), 1968","description":"\u003cp\u003e\"Picasso at the Fountain of Canaletas (B.1561)\" is an etching by Pablo Picasso from his renowned 347 Series. From the edition of 68, the art is signed 'Picasso' lower right. The artwork is framed in a custom, Spanish-style frame and has a framed size of 31 x 34\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e\n\u003cp\u003eIn printmaking, the 347 Series was the undertaking which defined late Picasso. This prodigious outpouring of work, dating from March 16th–October 5th, 1968, deals with all of his old themes and fantasies, adding an obsession newly central in the late sixties, the artist as voyeur. It is in this role, rather than that of a protagonist, that the artist figures in these fantastic narration's. The series has been described as taking the form of a stream-of-consciousness epic. There is a suggestion of narratives throughout the series; however, there is never a point where a story comes to completion or where suggested desire is realized. There are faces we know, tales we have seen, and the work of great masters is recognizably revisited, but all without a clear endpoint. These prints become instead a stroll through the mind and memories at the end of Picasso’s much-lived life. A note about the technical production of these plates - to work with full freedom and concentration, Picasso had his printers, the brothers Crommelynck, bring the etching plates and hand press to his farmhouse near Cannes.\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"16.25 x 19.5","offer_id":16932203003975,"sku":"ETPIC3081SB","price":48850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ETPIC3081SB__P-Image_Picasso_at_the_Fountain_of_Canaletas_ETPIC3081SB_UN0001_sm.jpg?v=1780503985"},{"product_id":"picasso-crouching-model-nude-and-sculptured-head-vollard-suite-b-188","title":"291 - Crouching Model, Nude, and Sculptured Head (Vollard Suite, B.188), 1939","description":"\u003cp\u003e\"Crouching Model, Nude, and Sculptured Head (B.188)\" is an etching created by Pablo Picasso in 1939 for his renowned 'Vollard Suite.' From the edition of 303, the artwork is hand-signed 'Picasso' lower right. The artwork is framed in a Spanish-style closed-corner black and gold frame and has a framed size of 25 x 21\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Default Title","offer_id":32593913643079,"sku":"ETPICA075SB","price":48850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ETPICA075SB__P-Image_Crouching_Model_Nude_and_Sculptured_Head_1933_ETPICA075SB_UN0002_sm_f055dcf0-f86e-45e3-93fb-0a3733dd60f9.jpg?v=1785347192"},{"product_id":"hirst-psalm-107-confitemini-domino-2008","title":"014 - Psalm 107: Confitemini Domino, 2008","description":"\u003cp\u003e\"Psalm 107: Confitemini Domino\" is a butterflies and household gloss on canvas painting created by Damien Hirst in 2008. The artwork is signed, titled and dated on verso. The artwork ships framed in a custom contemporary plexi-box frame and has a framed size of 18.75 x 18.75\".\u003c\/p\u003e\n\n\u003cp\u003eDamien Hirst’s butterfly paintings are among the most recognizable works of his career, bringing together beauty, fragility, preservation, and mortality in a single image. In these works, the butterfly is both seductive and unsettling: a symbol of life and transformation, but also a real, preserved body fixed permanently to the painted surface.\u003c\/p\u003e\n\n\u003cp\u003e\"Psalm 107: Confitemini Domino\" belongs to Hirst’s 2008 \"Psalm\" series, a group of 150 circular butterfly paintings named after the Psalms of the Old Testament. Each work uses butterflies in a kaleidoscopic arrangement, creating compositions that recall stained glass, mandalas, and church rose windows. The effect is decorative at first glance, but the longer one looks, the more complicated the image becomes. Hirst turns natural color and symmetry into something devotional, fragile, and slightly uncanny.\u003c\/p\u003e\n\n\u003cp\u003eThis example is compact but visually complete. Measuring 18 inches in diameter, it has the clarity of a small devotional object rather than the scale of a conventional painting. The lavender ground gives the work a calm, almost luminous atmosphere, while the butterflies create a strong circular rhythm around the central specimen. Yellows, oranges, whites, blacks, and iridescent blues move around the surface in ordered rings, balancing natural beauty with the precision of Hirst’s studio language.\u003c\/p\u003e\n\n\u003cp\u003eThe title, \"Confitemini Domino,\" refers to Psalm 107, which begins with a call to give thanks. That reference adds another layer to the work’s religious structure. Hirst is not making a traditional religious painting, but he borrows the visual and emotional architecture of sacred art: the circle, the radiant pattern, the jewel-like color, and the sense of looking into something preserved outside ordinary time.\u003c\/p\u003e\n\n\u003cp\u003e\"Psalm 107: Confitemini Domino\" is best understood as a refined, accessible example of Hirst’s butterfly practice. It offers the key elements collectors look for in this body of work — real butterflies, gloss surface, symmetry, mortality, beauty, and strong documentation — in a scale that is intimate, collectible, and easy to live with.\u003c\/p\u003e","brand":"Damien Hirst","offers":[{"title":"18\" diameter","offer_id":16945803526215,"sku":"FAHIS200809","price":385000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/psalm_107_confitemini_domino_fahis200809_framed_transparent.png?v=1769629873"},{"product_id":"haring-growing-1988-2","title":"Growing #2, 1988","description":"\u003cdiv\u003e\u003cspan\u003e\"Growing #2\" is a unique trial-proof screenprint created by Keith Haring in 1988 for his 'Growing' series. From the edition of 192, the unique trial-proof is signed and dated 'K. Haring 88' lower right. The artwork is framed in a custom, closed-corner, gold leaf frame and has a framed size of 39 x 49\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDubbed “a child of Pop Art,” Keith Haring rose with remarkable speed in the 1980s to occupy a central position within the movement’s expanded field. His instantly recognizable line-work and saturated palette draw upon the visual language of mass media, yet his work resists mere appropriation. Instead, Haring forged a distinct pictorial system that merged accessibility with urgency, collapsing the boundaries between fine art, street culture, and social activism.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhile much of Haring’s output engages weighty themes such as the AIDS crisis, apartheid, and systemic inequality, the 1988 \"Growing\" suite offers a luminous counterpoint. Here, the emphasis shifts toward vitality, rhythm, and collective joy. Across the series, bodies pulse and expand in a choreography that recalls the kinetic energy of 1980s dance culture, from breakdancing to vogue. Movement becomes both subject and structure, animating each composition with a sense of continuous transformation.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAs Jeffrey Deitch observed, Haring’s work emerges directly from the body, a physical extension of the artist’s gesture and presence. This corporeal immediacy is central to \"Growing.\" Figures stretch, multiply, and interlock, suggesting processes of evolution and interdependence. Circular forms function fluidly as heads, torsos, or generative seeds, reinforcing themes of origin and growth. In several compositions, a single figure proliferates outward like a branching organism, while in others, stacked bodies emphasize support, ascent, and communal becoming.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFormally and conceptually, \"Growing\" resonates with Haring’s \"Pop Shop\" series while advancing a more explicit meditation on transformation. The figures are stripped of hierarchy and identity, achieving an archetypal clarity that underscores Haring’s belief in shared humanity. This universality is not abstract but lived. Haring bridged disparate cultural spheres, from South Bronx hip hop to downtown club culture and conceptual art circles, synthesizing them into a unified visual language.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEqually significant is Haring’s embrace of printmaking as a democratic medium. By translating his drawings into screenprints, he enabled wide dissemination without sacrificing immediacy. Within this framework, experimentation remained vital, particularly in unique impressions that explore bold and subtle variations in color. These works blur the boundary between print and original, offering collectors both the cultural resonance of an iconic series and the rarity of singular expression.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHaring’s regular editions are desirable in their own right, as in \"Growing #1,\" the most popular image in the series. However, three of these particular prints are unique trial-proof screenprints. \"Growing #2,\"\"Growing #3,\" and \"Growing #5\" feature experimental combinations of color — subtle variation in #3 and bold departure in #2. Unlike the regular edition prints, each trial proof is one of a kind, effectively blurring the line between printmaking and unique work.   Collectors prize trial proofs for exactly this reason: they carry the aura of originality while also belonging to an iconic series. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eTaken as a whole, the \"Growing\" suite encapsulates Haring’s enduring vision. It is a celebration of connection, movement, and shared existence, rendered with a clarity and optimism that continue to resonate.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Keith Haring","offers":[{"title":"Default Title","offer_id":16945898061895,"sku":"GRHARTP9002","price":285000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRHARTP9002__P-Image_growing_2_grhartp9002_tp331copy_ed_bl.jpg?v=1760648433"},{"product_id":"francis-untitled-1960-sf60-1203","title":"Untitled (SF60-1203), 1960","description":"\u003cp\u003e\"Untitled (SF60-1203)\" is an acrylic on paper painting created by Sam Francis in 1960. The painting is signed 'Sam Francis', estate stamped and dated on verso. The artwork ships framed in a custom contemporary light wood frame and has a framed size of 23.25 x 27.25\".\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"17 x 21.25","offer_id":16980097171527,"sku":"FAFRA601203","price":68850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA601203__P-Image_SF601203_FAFRA601203copy.jpg?v=1760632685"},{"product_id":"sans-titre-1980-sf80-450","title":"002 - Sans Titre (SF80-450), 1980","description":"\u003cp\u003e\"Sans Titre (SF80-450)\" is an acrylic on paper painting created by Sam Francis in 1980. The artwork is inscribed 'SF80-450' on verso in pencil. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 38.5 x 50.25\".\u003c\/p\u003e\n\n\u003cp\u003e“…painting is an illusion – when people see ‘movement’ in a work, that movement isn’t there, the painting is static, the movement is in the soul or mind of the viewer.’ – Sam Francis\u003c\/p\u003e\n\n\u003cp\u003eIn this work on paper, a clear break is made from the grid paintings of the late 70s. A combination of structured shapes intermingle with free-form blotches and paint splattering. The use of bold, highly pigmented colors, contrasts with the white background of the paper allowing for the shapes to appear as if they could float off the page. The white space itself also serves a purpose as the source of light, accentuating this ‘illusion.’ For Francis, works like \"San Titre (SF80-450), 1980\" were a liberating experience in allowing color to take control and to create what he called “movement.” Even if the page itself was not moving, Francis would strive to ignite the movement within the soul of the viewer through his use of color. This distinction in Francis’s work is what would forever set him apart from his peers as he understood deeply the effect color could have on his audience both visually and psychologically.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":17809745051719,"sku":"FAFRA800450","price":295000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA800450__P-Image_francis_sans_titre_1980_sf80450_fafra800450sm.jpg?v=1738876990"},{"product_id":"growing-1988-3","title":"Growing #3, 1988","description":"\u003cdiv\u003e\u003cspan\u003e\"Growing #3\" is a unique trial-proof screenprint created by Keith Haring in 1988 for his 'Growing' series. From the edition of 192, the unique trial-proof is signed and dated 'K. Haring 88' lower right. The artwork is framed in a custom, closed-corner, gold leaf frame and has a framed size of 39 x 49.12\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDubbed “a child of Pop Art,” Keith Haring rose with remarkable speed in the 1980s to occupy a central position within the movement’s expanded field. His instantly recognizable line-work and saturated palette draw upon the visual language of mass media, yet his work resists mere appropriation. Instead, Haring forged a distinct pictorial system that merged accessibility with urgency, collapsing the boundaries between fine art, street culture, and social activism.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhile much of Haring’s output engages weighty themes such as the AIDS crisis, apartheid, and systemic inequality, the 1988 \"Growing\" suite offers a luminous counterpoint. Here, the emphasis shifts toward vitality, rhythm, and collective joy. Across the series, bodies pulse and expand in a choreography that recalls the kinetic energy of 1980s dance culture, from breakdancing to vogue. Movement becomes both subject and structure, animating each composition with a sense of continuous transformation.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAs Jeffrey Deitch observed, Haring’s work emerges directly from the body, a physical extension of the artist’s gesture and presence. This corporeal immediacy is central to \"Growing.\" Figures stretch, multiply, and interlock, suggesting processes of evolution and interdependence. Circular forms function fluidly as heads, torsos, or generative seeds, reinforcing themes of origin and growth. In several compositions, a single figure proliferates outward like a branching organism, while in others, stacked bodies emphasize support, ascent, and communal becoming.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFormally and conceptually, \"Growing\" resonates with Haring’s \"Pop Shop\" series while advancing a more explicit meditation on transformation. The figures are stripped of hierarchy and identity, achieving an archetypal clarity that underscores Haring’s belief in shared humanity. This universality is not abstract but lived. Haring bridged disparate cultural spheres, from South Bronx hip hop to downtown club culture and conceptual art circles, synthesizing them into a unified visual language.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEqually significant is Haring’s embrace of printmaking as a democratic medium. By translating his drawings into screenprints, he enabled wide dissemination without sacrificing immediacy. Within this framework, experimentation remained vital, particularly in unique impressions that explore bold and subtle variations in color. These works blur the boundary between print and original, offering collectors both the cultural resonance of an iconic series and the rarity of singular expression.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHaring’s regular editions are desirable in their own right, as in \"Growing #1,\" the most popular image in the series. However, three of these particular prints are unique trial-proof screenprints. \"Growing #2,\"\"Growing #3,\" and \"Growing #5\" feature experimental combinations of color — subtle variation in #3 and bold departure in #2. Unlike the regular edition prints, each trial proof is one of a kind, effectively blurring the line between printmaking and unique work.   Collectors prize trial proofs for exactly this reason: they carry the aura of originality while also belonging to an iconic series. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTaken as a whole, the \"Growing\" suite encapsulates Haring’s enduring vision. It is a celebration of connection, movement, and shared existence, rendered with a clarity and optimism that continue to resonate.\u003c\/span\u003e\u003c\/div\u003e","brand":"Keith Haring","offers":[{"title":"Default Title","offer_id":17857796767815,"sku":"GRHARTP9103","price":285000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRHARTP9103__P-Image_Growing_3_GRHARTP9103_TP0019_ed_bl.jpg?v=1760648901"},{"product_id":"lorient-merveilleux-1917","title":"L'Orient Merveilleux, 1917","description":"\u003cp\u003e\"L'Orient Merveilleux\" is a gouache on paper painting created by Erté in 1917. The artwork is signed 'Erté' lower right. The artwork ships framed in an ornate gold-tone frame and has a framed size of 20 x 16.5\".\u003c\/p\u003e","brand":"Erté","offers":[{"title":"Default Title","offer_id":31686672973895,"sku":"ORERT194770","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORERT194770__P-Image_ert_L_OrientMerveilleuxOR-ERT-1947-70.jpg?v=1764946070"},{"product_id":"little-red-corvette","title":"Little Red Corvette, 2018","description":"\u003cp\u003e\"Little Red Corvette\" is an oil on panel painting created by Douglas Hofmann in 2018. The artwork is signed 'HOFMANN' lower right. The artwork ships framed in a custom contemporary gold leaf frame and has a framed size of 28 x 49\". \u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"21 x 42","offer_id":32678454722631,"sku":"ORHFM201812","price":68500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORHFM201812__P-Image_ORFHM201812_little_red_corvette.jpg?v=1760656533"},{"product_id":"la-journee-dune-elegante-i-591-594","title":"La Journée d'une Elegante I (591-594)","description":"\u003cp\u003e\"La Journée d'une Elegante I (591-594)\" is a gouache on paper painting created by Erté. The artwork is signed 'Erté' lower center, and is stamped with Erté's Villa Excelsior block stamp and Erté's 'Composition originale' verso. Annotated on verso \"La Journée d'une Elégante\", \"No.591 Le Matin\", \"No.592 Après-Midi\", \"No.593 Le Soir\", \"No.594 La Nuit\". The artwork ships framed in a round plexi-glass and contemporary white frame and has a framed size of 12.5 x 12.5\".\u003c\/p\u003e","brand":"Erté","offers":[{"title":"Default Title","offer_id":31686668058695,"sku":"ORERT591594","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORERT591594_OR0001.jpg?v=1768325422"},{"product_id":"la-journee-dune-elegante-ii-595-598","title":"379 - La Journée d'une Elegante II (595-598)","description":"\u003cp\u003e\"La Journée d'une Elegante II (595-598)\" is a gouache on paper painting created by Erté. The artwork is signed 'Erté' lower center, and is stamped with Erté's Villa Excelsior block stamp and Erté's 'Composition originale' verso. Annotated on verso \"La Journée d'une Elégante\", \"No.595 Le Matin\", \"No. 596 Après-Midi\", \"No.597 Le Soir\", \"No.598 La Nuit\". The artwork ships framed in a round plexi-glass and contemporary white frame and has a framed size of 12.5 x 12.5\".\u003c\/p\u003e","brand":"Erté - Romain de Tirtoff","offers":[{"title":"9 x 9 diam","offer_id":31686668189767,"sku":"ORERT595598","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/la_journee_dune_elegante_ii_595_598_orert595598_pimage.jpg?v=1769629257"},{"product_id":"untitled-201-cover-submission-for-harpers-bazaar-august-1935","title":"Untitled #201 (cover submission for Harper's Bazaar August, 1935), 1935","description":"\u003cp\u003e\"Untitled #201\" is a gouache painting on paper created by Erté in 1935. Originally submitted to Haper's Bazaar in March 1935 as a cover design for the August 1935. The artwork is signed 'Erté' lower right. The artwork ships framed in an ornate, gold-tone frame and has a framed size of 23 x 20\".\u003c\/p\u003e","brand":"Erté","offers":[{"title":"Default Title","offer_id":32678410453063,"sku":"ORERT020100","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORERT020100__P-Image_HarpersCover_201_2.780300dpi.jpg?v=1764974079"},{"product_id":"electric-chair-pictures-in-glitter-after-warhol","title":"Electric Chair (Pictures in Glitter - After Warhol), 2001","description":"\u003cp\u003e\"Electric Chair\" is a chromogenic print created by Vik Muniz in 2001 for his 'Pictures in Glitter - After Warhol' series. The artwork is accompanied by a signature label. The artwork is framed in a contemporary black frame and has a framed size of 50 x 63.25\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e","brand":"Vik Muniz","offers":[{"title":"Default Title","offer_id":32635230715975,"sku":"PTMUN200105","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/Muniz_Electric_chair_NU4_copy.jpg?v=1776200283"},{"product_id":"bright-web-1973-sf73-5","title":"Bright Web (SF73-5), 1973","description":"\u003cp\u003e\"Bright Web (SF73-5)\" is an acrylic on paper painting created by Sam Francis in 1973. The artwork is signed and dated 'Sam Francis 1973 Tokyo' verso. The artwork ships framed in a custom, closed-corner, gold leaf frame and has a framed size of 30.75 x 39\".\u003c\/p\u003e\n\n\u003cp\u003eIn \"Bright Web (SF73-5),\" Sam Francis orchestrates a dazzling network of color and motion, a luminous tangle of red, blue, yellow, and green overlaid with rhythmic bursts of black and violet. Painted in 1973, this work marks a critical moment of renewal and personal reckoning, when color, psychology, and gesture converged into one of the most dynamic phases of his career.\u003c\/p\u003e\n\n\u003cp\u003eFrancis had long been an artist of global reach and introspective depth. A key figure in American abstraction, he lived and worked across Paris, California, and Tokyo, absorbing Eastern and Western influences alike. By the early 1970s, he had begun studying Jungian psychology to better understand his vivid dreams and the subconscious images that surfaced in his art. These investigations brought focus to the “center,” the psychological root of the self, a concept that is deeply embedded in \"Bright Web.\" The title itself evokes both complexity and clarity: a radiant, emotional structure radiating outward from a concentrated core.\u003c\/p\u003e\n\n\u003cp\u003eThis painting’s vibrant palette reflects the revitalization Francis experienced during his time in Japan. Immersed in the visual energy of Tokyo in late 1973, he re-embraced saturated hues and spontaneous movement. Here, color does not passively fill space — it collides, fractures, and erupts. Movement travels from the red core outward, with each hue asserting itself while still harmonizing within the whole. The black and violet splatters do not dampen the brightness; they give it contrast, grounding the composition with intensity.\u003c\/p\u003e\n\n\u003cp\u003eFrancis once described painting as an act of transmission — a vessel for something larger. In \"Bright Web,\" that transmission feels both urgent and sublime. The painting becomes a map of internal states, a web of thought, emotion, and dream. Through his rare understanding of color and its psychological resonance, Francis offers viewers not just an image, but an experience.\u003c\/p\u003e\n\n\u003cp\u003eFor collectors, \"Bright Web (SF73-5)\" is a striking and historically resonant example of Francis’s mature vision — a work of chromatic vitality and spiritual weight, created at a pivotal moment in his artistic evolution. It is as bold as it is introspective, as grounded as it is transcendent, a true embodiment of what makes Sam Francis one of the most compelling voices in 20th-century abstraction.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32412083126343,"sku":"FAFRA730500","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/166_FAFRA730500__P-Image_francis_bright_web_1973_sf735_fafra730500sm.jpg?v=1760632090"},{"product_id":"slant-sf70-138","title":"Slant (SF70-138), 1970","description":"\u003cp\u003e\"Slant (SF70-138)\" is an acrylic on paper painting created by Sam Francis in 1970. The artwork is signed 'Sam Francis' and dated on verso. The artwork ships framed in a light colored contemporary frame and has a framed size of 52 x 40.25\".\u003c\/p\u003e\n\n\u003cp\u003eIn \"Slant (SF70-138),\" created in 1970, Sam Francis constructs a luminous, structured field of intersecting color and space, a work that bridges the artist’s earlier “Edge” paintings with his increasingly fluid, gestural compositions of the 1970s. Carefully balanced yet visually charged, this acrylic on paper artwork reflects a pivotal moment in Francis’s evolution, as he moved from working around absence to activating the entire surface of the paper through color, movement, and subtle psychological geometry.\u003c\/p\u003e\n\n\u003cp\u003eBy 1970, Francis had begun to move away from the pure white voids and tight framing devices of the late 1960s, instead experimenting with compositional openness, layered gesture, and vibrant, shifting pathways. \"Slant (SF70-138)\" exemplifies this transition. Wet lines of both bright and dark hues crisscross the mostly white plane, forming loose geometries that create pockets of negative space, a map of converging possibilities. These lines are not static: they drip, bleed, and dilute, creating areas of soft transparency that contrast with concentrated pools of pigment, particularly at the boundaries of the sheet. This interplay of saturated edges and paler internal hues infuses the work with a spatial rhythm that feels both measured and organic. Though the composition may appear structured, it is anything but rigid. The directional slants and pathways suggest movement through thought, a visual metaphor for the subconscious. \u003c\/p\u003e\n\n\u003cp\u003e\"Slant (SF70-138)\" is a refined and resonant example of Sam Francis’s shift toward a more liberated and psychologically charged abstraction. It is a painting of pathways, not just of color and line, but of thought and possibility.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32604808151111,"sku":"FAFRA700138","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA700138__P-Image_sf70-138_slant_fafra700138_or00011.jpg?v=1754685976"},{"product_id":"untitled-sf74-205-tokyo","title":"Untitled (SF74-205, Tokyo), 1974","description":"\u003cp\u003e\"Untitled (SF74-205, Tokyo)\" is an acrylic on paper painting created by Sam Francis in 1974. The artwork is titled and dated on verso. The artwork ships framed in a custom closed-corner  gold leaf frame and has a framed size of 31.25 x 39\".\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"22.25 x 30","offer_id":31686733791303,"sku":"FAFRA740205","price":195000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA740205__P-Image_francis_sft74205_fafra740205.jpg?v=1754686070"},{"product_id":"untitled-1977-sf77-069","title":"Untitled (SF77-069), 1977","description":"\u003cdiv\u003e\u003cspan\u003e\"Untitled (SF77-069)\" is an acrylic on paper painting created by Sam Francis in 1977. The artwork is signed 'Sam Francis' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 16.25 x 18\".\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSam Francis was among the most respected colorists of the postwar era, and \"Untitled (SF77-069), 1977,\" offers compelling evidence of his achievement. By the late 1970s, Francis had entered the mature phase of his celebrated Matrix paintings, a body of work in which structure and spontaneity converge with striking force. Here, color is not merely applied; it is orchestrated, released, and contained within a disciplined armature that intensifies its power.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Matrix paintings mark a pivotal moment in Francis’s evolution. After the open expanses of his Edge paintings and the explosive gestural fields of earlier decades, he adopted a gridded cross-weave that suggests both architectural rigor and meditative repetition. Yet the grid is never static. In Francis’s hands, it becomes a living scaffold: a rhythmic system that allows color to assert its psychic and emotional charge with heightened clarity. The matrix is not confinement, but catalyst.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn \"Untitled (SF77-069),\" the geometry of a square mandala seems to underlie the composition. The format evokes balance and centeredness, while the center remains open, animated, and alive. Spurts of pigment invade the white field: splatters, blotches, and smears pulse across the surface with improvisational urgency. The painting’s central drama lies in this tension between order and eruption.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eColor generates the work’s energy and movement. Crimsons interlace with bright blues, oranges, greens, and yellows, creating passages of deepened tonality. What first appears black is in fact the result of layered acrylics, pigments merging into dense, near-opaque hues that heighten the surrounding luminosity. In places, yellow turns earthen as it meets neighboring tones, revealing the physicality of paint and the alchemical nature of Francis’s process.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDespite the density of activity, the white center and corners remain luminous anchors. For Francis, white is neither absence nor pause, but an active force: a breathing interval that heightens saturation and draws the eye inward. The result is both contemplative and dynamic, a visual oscillation between stillness and release.\u003c\/span\u003e\u003c\/div\u003e","brand":"Sam Francis","offers":[{"title":"7 x 10","offer_id":31686734446663,"sku":"FAFRA197702","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA197702__P-Image_untitled_1977_sf77069_fafra197702.jpg?v=1754686204"},{"product_id":"couple-with-child-b-1384","title":"289 - Couple with Child (B.1384), 1968","description":"\u003cp\u003e\"Couple with Child (B.1384)\" is an aquatint and etching created by Pablo Picasso in 1968. From the edition of 66, the artwork is signed 'Picasso' lower right and annotated lower left. The artwork is framed in a Spanish-style closed-corner black and gold frame and has a framed size of 22.25 x 26\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"10.75 x 15","offer_id":31686802669639,"sku":"AQPIC1384SB","price":28850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/AQPIC1384SB__P-Image_b1384_couple_with_child_aqpic1384sb_nu11copy.jpg?v=1754681696"},{"product_id":"le-viol-vollard-suite-b-142","title":"Le Viol (Vollard Suite, B.142), 1939","description":"\u003cp\u003e\"Le Viol (B.142)\" is an etching created by Pablo Picasso in 1939 for his renowned 'Vollard Suite.' From the edition of 303, the artwork is signed 'Picasso' lower right. The artwork is framed in a custom Spanish-style closed-corner black and gold frame and has a framed size of 24 x 27.5\". The artwork ships framed and is accompanied by a certificate of authenticity. \u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"8.75 x 12.25","offer_id":31686802964551,"sku":"ETPICA009SB","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ETPICA009SB__P-Image_b142_le_viol_etpica009sb_un2copy.jpg?v=1760717211"},{"product_id":"policinelle-avec-deux-femmes-347-series-b-1539","title":"Punchinello with Two Women (347 Series, B.1539), 1968","description":"\u003cp\u003e\"Punchinello with Two Women (B.1539)\" is an etching created by Pablo Picasso in 1968, from his renowned '347 Series'. From the edition of 68, the art is signed 'Picasso' lower right, and annotated lower left. The artwork is framed in a custom, Spanish-style, closed-corner, black and gold frame and has a framed size of 26.5 x 30\". The artwork ships framed and is accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eIn printmaking, the 347 Series was the undertaking which defined late Picasso. This prodigious outpouring of work, dating from March 16th–October 5th, 1968, deals with all of his old themes and fantasies, adding an obsession newly central in the late sixties, the artist as voyeur. It is in this role, rather than that of a protagonist, that the artist figures in these fantastic narration's. The series has been described as taking the form of a stream-of-consciousness epic. There is a suggestion of narratives throughout the series; however, there is never a point where a story comes to completion or where suggested desire is realized. There are faces we know, tales we have seen, and the work of great masters is recognizably revisited, but all without a clear endpoint. These prints become instead a stroll through the mind and memories at the end of Picasso’s much-lived life. A note about the technical production of these plates - to work with full freedom and concentration, Picasso had his printers, the brothers Crommelynck, bring the etching plates and hand press to his farmhouse near Cannes.\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"Default Title","offer_id":32593911152711,"sku":"ETPIC3059SB","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ETPIC3059SB__P-Image_b1539_polichinelle_avec_deux_femmes_etpic3059sb_nu0001_highres_sm.jpg?v=1760718221"},{"product_id":"rembrandt-et-femme-au-voile-vollard-suite-b-214","title":"Rembrandt and Woman in a Veil (Vollard Suite, B.214), 1939","description":"\u003cp\u003e\"Rembrandt and Woman in a Veil (Vollard Suite, B.214)\" is an etching created by Pablo Picasso in 1939 for his renowned 'Vollard Suite.' From the edition of 303, the artwork is signed 'Picasso' lower right. The artwork is framed in a custom Spanish-style closed-corner black and gold frame and has a framed size of 25.25 x 21.5\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"11 x 7.75","offer_id":31686804176967,"sku":"ETPICA036SB","price":48850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Pablo_Picasso_-_Rembrandt_et_Femme_au_Voile_Vollard_Suite_B.214_Framed.jpg?v=1579727623"},{"product_id":"three-women-awakening-b-926","title":"269 - Three Women Awakening (B.926), 1959","description":"\u003cp\u003e\"Three Women Awakening (B.926)\" is a linocut created by Pablo Picasso in 1959. From the edition of 70, the artwork is signed 'Picasso' lower right. The artwork is framed in a Spanish-style closed-corner black and gold frame and has a framed size of 39 x 43\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Pablo Picasso","offers":[{"title":"21 x 25","offer_id":31686804766791,"sku":"LIPIC0926SC","price":165000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LIPIC0926SC__P-Image_picasso_b926_three_women_awakening_lipic0926sc_nu40.jpg?v=1754682617"},{"product_id":"parade-of-mannequins-to-peru-m-631","title":"046 - Parade of Mannequins in Peru (M.631), 1969","description":"\u003cp\u003e\"Parade of Mannequins in Peru (M.631)\" is a lithograph created by Joan Miró in 1969. From the edition of 75, the artwork is signed 'Miró' lower right and annotated lower left. The artwork is framed in a custom closed-corner gold leaf frame and has a framed size of 58 x 43\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Joan Miró","offers":[{"title":"49.5 x 34","offer_id":31689020309575,"sku":"LTMIR0631SC","price":58850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/330_LTMIR0631SC__P-Image_defile_de_mannequins_au_perou_ltmir0631sc_nu0044.jpg?v=1738267913"},{"product_id":"electric-chairs-1971-fs-ii-81","title":"213 - Electric Chair (FS.II.81), 1971","description":"\u003cp\u003e\"Electric Chair (FS.II.81)\" is a screenprint created by Andy Warhol in 1971. From the edition of 300, the artworks is signed and dated 'Andy Warhol 71' and rubber stamp annotated on verso. The artwork is framed in a custom closed-corner gold leaf frame and has a framed size of 44.5 x 57\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":31709790896199,"sku":"GRWAR008101","price":128500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRWAR008101__P-Image_electric_chairs_1971_grwar008101_nu01521.jpg?v=1754945460"},{"product_id":"the-bird-in-the-studio-m-844","title":"015 - The Bird in the Studio (M.844), 1976","description":"\u003cp\u003e\"The Bird in the Studio (M.844)\" is a lithograph on Wove created by Marc Chagall in 1976. From the edition of 64, the artwork is signed 'Marc Chagall' lower right and annotated lower left. The artwork is framed in a custom closed-corner gold leaf frame and has a framed size of 30 x 38\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"24.5\" x 17\"","offer_id":32041542549575,"sku":"LTCHAC844SC","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTCHAC844SC__P-Image_The_Bird_in_the_Studio_LTCHAC844SC_NU0041.jpg?v=1754680821"},{"product_id":"untitled-1980-sf80-107","title":"Untitled (SF80-107), 1980","description":"\u003cp\u003e\"Untitled (SF80-107)\" is an acrylic on paper painting created by Sam Francis in 1980. The artwork is signed and dated 'Sam Francis 1980' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 20.75 x 26.75\". \u003c\/p\u003e\n\n\u003cp\u003eIn \"Untitled (SF80-107),\" Sam Francis propels his long-standing grid motif into a new chromatic frontier. Executed in 1980, this acrylic on paper bursts with layered fields of violet, green, red, and light washes of blue. Unlike his earlier, more rigid compositions of the 1970s — where black lattices dominated the visual architecture — this work dissolves those boundaries. The grid remains, but only as a ghost, veiled beneath the exuberant interplay of luminous, organic color.\u003c\/p\u003e\n\n\u003cp\u003eBy the 1970s, Francis was immersed in the formal potential of the grid. Early in the decade, these structures were sometimes dense and somber, with black underpinnings holding the composition like scaffolding. Vivid bursts of color appeared, but always in service to the geometry beneath. By 1980, however, \"Untitled (SF80-107)\" reveals that Francis had begun to liberate color from the framework altogether.\u003c\/p\u003e\n\n\u003cp\u003eIn this late “grid” painting, the once-dominant lattice has all but disappeared, consciously painted over. Francis lets the color take control. Pools of violet and teal hover beside streaks of red, blue, and even soft pink, creating a visual field that is rhythmically structured yet full of improvisational vitality. These forms don’t follow rigid paths; they interact freely, pulsing across the surface like cellular movement or musical notes in harmonic dissonance. There’s a palpable sense of transformation in this piece, not only in palette but in intent. \"Untitled (SF80-107)\" marks a turning point in Francis’s career, when the grid became less about containment and more about flow, transition, and emotional intensity. The fading grid, the swelling fields of radiant pigment, and the sense of structural release signal an artist moving confidently into a new visual language. For collectors seeking not only beauty but historical and conceptual significance, this is a compelling and essential acquisition.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32593869307975,"sku":"FAFRA800107","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/295_FAFRA800107__P-Image_untitled_1980_sf80107_fafra800107.jpg?v=1760633240"},{"product_id":"cinema-paradiso","title":"Cinema Paradiso, 2019","description":"\u003cp\u003e\"Cinema Paradiso\" is an oil on panel painting created by Douglas Hofmann in 2019. The painting is signed 'HOFMANN' lower left. The image size is 51 x 38\" and the artwork ships framed.\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"51 x 38","offer_id":32190080352327,"sku":"ORHFM201904","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Douglas_Hofmann_-_Cinema_Paradiso.jpg?v=1588788883"},{"product_id":"black-marilyn-pictures-of-diamond-dust","title":"Black Marilyn (Pictures of Diamond Dust), 2003","description":"\u003cp\u003e\"Black Marilyn\" is a digital chromogenic print created by Vik Muniz in 2003 for his 'Pictures of Diamond Dust' series. The artwork is signed and numbered on label affixed to reverse of the mount. The artwork is framed in a custom, closed-corner, gold-leaf frame and has a framed size of 57.62 x 51.37\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Vik Muniz","offers":[{"title":"Default Title","offer_id":32412053831751,"sku":"PTMUN200302","price":118500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/Black_Marilyn_PTMUN200302.jpg?v=1767192757"},{"product_id":"skulls-1976-157","title":"215 - Skulls (FS.II.157), 1976","description":"\u003cp\u003e\"Skulls (FS.II.157)\" is a hand-signed screenprint by Andy Warhol. From the edition of 60, the artwork is signed 'Andy Warhol' and annotated lower left. The artwork is framed in a custom closed-corner gold leaf frame and has a framed size of 39 x 46.25\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Andy Warhol","offers":[{"title":"30.25 x 40","offer_id":32190113120327,"sku":"GRWAR015701","price":158500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/187_GRWAR015701__P-Image_skulls_1976_157_grwar015701_nu0036_ed_bl.jpg?v=1760661720"},{"product_id":"squares-in-red-1972-sf72-82","title":"Squares in Red (SF72-82), 1972","description":"\u003cp\u003e\"Squares in Red (SF72-82)\" is an acrylic on solid vellum painting created by Sam Francis in 1972. The artwork is signed, dated and inscribed 'Sam Francis 1972 LA' verso. The artwork is framed in a contemporary closed-corner gold leaf frame and has a framed size of 39 x 31.25\".\u003c\/p\u003e\n\n\u003cp\u003eBy 1972, Sam Francis had entered a period of renewed structural clarity. After exploring the expansive openness of his “Sail” paintings, he began introducing geometry as a means of sustaining space rather than limiting it. “Squares in Red (SF72-82)” reflects this pivotal evolution, where gesture and architecture achieve a poised equilibrium.\u003c\/p\u003e\n\n\u003cp\u003eThis shift emerged in works associated with the “Fresh Air” period of 1972 to 1973, when Francis experimented with structural beams created through tinted gesso, water, brushes, and rollers. Pigment was often applied wet on wet and later reactivated, allowing control and improvisation to coexist. Gradually, these linear elements straightened and intersected, forming the gridded armatures that would define his Matrix paintings. In “Squares in Red,” that development is fully realized.\u003c\/p\u003e\n\n\u003cp\u003eA measured lattice organizes the composition. The perpendicular lines establish rhythm without rigidity, creating intervals that steady rather than confine the picture plane. Within these squared passages, red dominates. It ranges from saturated crimson to luminous translucent washes that appear to glow from within. Subtle flickers of complementary tones animate the surface, adding depth and movement.\u003c\/p\u003e\n\n\u003cp\u003eWhite remains central to Francis’s vision. Here it is no longer an expansive void but articulated into quiet intervals of pause and breath. These passages of white provide clarity and balance, guiding the eye gently across the grid. Structure and openness engage in calm dialogue.\u003c\/p\u003e\n\n\u003cp\u003eThe early 1970s marked a profound creative renewal for Francis, a time often linked to his engagement with Jungian analysis and heightened introspection. The works from this period reconcile seeming opposites: discipline and spontaneity, geometry and gesture, energy and restraint.\u003c\/p\u003e\n\n\u003cp\u003eIn “Squares in Red,” that reconciliation feels complete. The painting unfolds with quiet assurance. Geometry becomes expressive, color architectural, and space a field of measured harmony. The result is not tension but resolution, a work in which vitality and order coexist in luminous balance.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32325070684231,"sku":"FAFRA720082","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA720082__P-Image_fafra720082_sf72_82_squares_in_red_1972_or0001.jpg?v=1754686008"},{"product_id":"homage-to-director-hideaki-anno-evangelion-godzilla-resurgence","title":"335 - Homage to Director Hideaki Anno: Evangelion \u0026 Godzilla Resurgence, 2019","description":"\u003cp\u003e\"Homage to Director Hideaki Anno: Evangelion \u0026amp; Godzilla Resurgence\" is a silkscreen created by Takashi Murakami in 2019. From the edition of 100, the artwork is signed, dated and annotated lower right. The artwork is framed in a custom closed-corner gold tone frame and has a framed size of 33 x 27\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":32325074354247,"sku":"GRMURSS1906","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/homage_to_director_hideaki_anno_evangelion___godzilla_resurgence_grmurss1906_nu00122.jpg?v=1629836166"},{"product_id":"birth-of-venus-1984-318-details-of-renaissance-paintings","title":"Birth of Venus (FS.II.318, Details of Renaissance Paintings), 1984","description":"\u003cdiv\u003e\u003cspan\u003e\"Birth of Venus (FS.II.318)\" is a screenprint created by Andy Warhol for his series \"Details of Renaissance Paintings\" in 1984. From the edition of 134, the artwork is signed 'Andy Warhol' and annotated lower left. The artwork is framed in a custom closed-corner gold-leaf frame and has a framed size of 41 x 53\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAndy Warhol’s \"Birth of Venus (FS.II.318),\" from the 1984 Details of Renaissance Paintings series, transforms one of the most familiar images in Western art into a late twentieth-century icon of beauty, reproduction, and desire. Rather than presenting Botticelli’s full mythological scene, Warhol isolates Venus’s face and flowing hair, removing narrative detail and focusing attention on the image’s most immediately recognizable element.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis act of cropping is central to the work. Warhol treats Botticelli’s Venus much as mass media treats a celebrity photograph: enlarged, simplified, intensified, and made instantly legible. The original Renaissance painting presented Venus as an idealized figure of beauty and myth. Warhol recasts her as an image built for circulation, closer in spirit to advertising, fashion, and celebrity culture than to traditional devotional or mythological painting. In doing so, he suggests that certain images acquire power not only through their original meaning, but through repetition, recognition, and desire over time.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe print’s visual impact comes from the tension between the historic source and Warhol’s modern surface. Venus retains her familiar features and cascading hair, but the screenprint process gives her a new artificial charge. In this version, the face is rendered in deep, shadowy tones, while the hair erupts in orange, red, and yellow. Turquoise and pink line work cut through the image, sharpening the facial features and adding a cool counterpoint to the heat of the palette. The result is glamorous, but not soft. Warhol’s Venus feels dramatic, stylized, and slightly confrontational, as if Botticelli’s goddess has been recast for the age of photography, fashion, and mass reproduction.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWithin Warhol’s late print production, \"Birth of Venus\" is one of the more accessible and visually compelling works from the Renaissance group. It offers the art-historical depth of the series while retaining the immediate appeal of a face, bold color, and iconic recognition. Unlike some of the more fragmented Renaissance subjects, Venus commands the sheet directly, giving the work strong presence from across a room.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\"Birth of Venus\" is both a reference to a historic masterpiece and a distinctly Warholian image about how beauty becomes famous. It connects Pop Art to the Renaissance without becoming academic, and it shows Warhol using an old image to ask a modern question: why do certain faces continue to hold our attention, century after century?\u003c\/span\u003e\u003c\/div\u003e","brand":"Andy Warhol","offers":[{"title":"Default Title","offer_id":32412053536839,"sku":"GRWAR031801","price":395000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRWAR031801__P-Image_Birth_of_Venus_1984_GRWAR031801_NU038A_sm_ed_bl.jpg?v=1779462467"},{"product_id":"wouldnt-it-be-nice-if-we-could-do-such-a-thing","title":"355 - Wouldn't it be nice if we could do such a thing, 2019","description":"\u003cp\u003e\"Wouldn't it be nice if we could do such a thing\" is a silkscreen created by Takashi Murakami in 2019. From the edition of 300, the artwork is signed, dated and annotated lower right by Murakami, printed signature 'Fujiko F. Fujio' lower left. The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e\n\u003cp\u003eTakashi Murakami's \"Wouldn't It Be Nice If We Could Do Such a Thing, 2019\" is an exuberant celebration of imagination, bringing together the beloved world of \"Doraemon\" with Murakami's signature universe of smiling flowers. Rich with color and detail, the large-scale silkscreen unfolds like a visual adventure, rewarding each viewing with new characters, stories, and hidden discoveries.\u003c\/p\u003e\n\u003cp\u003eCreated by Fujiko F. Fujio, \"Doraemon\" debuted in 1969 and quickly became one of Japan's most beloved cultural creations. The robotic cat from the twenty-second century is celebrated for helping the young Nobita overcome everyday problems through an endless collection of futuristic gadgets, encouraging optimism, curiosity, and inventive thinking. These ideals have long resonated with Murakami, whose work similarly embraces imagination while drawing upon the visual language of manga and anime as a legitimate and influential form of artistic expression.\u003c\/p\u003e\n\u003cp\u003eRather than focusing on a single scene, Murakami constructs a densely layered panorama populated by Doraemon, Nobita, Shizuka, Gian, Suneo, Dorami, and countless memorable gadgets and adventures from the series. Familiar inventions—including the iconic pink “Anywhere Door,” the “Time Machine,” and other fantastical devices—appear throughout the composition, encouraging viewers to explore the print much as one might revisit the pages of a favorite manga. Murakami's smiling flowers weave seamlessly through the narrative, creating a vibrant tapestry in which his own artistic vocabulary merges effortlessly with the world of \"Doraemon.\"\u003c\/p\u003e\n\u003cp\u003eThe composition reflects Murakami's broader artistic philosophy of dissolving the boundaries between contemporary art and popular culture. Rather than presenting \"Doraemon\" as nostalgic entertainment alone, he elevates its imagery into a meticulously crafted fine art print while preserving the warmth, humor, and accessibility that have made the series beloved across generations. The result is both a tribute to one of Japan's most influential fictional characters and a demonstration of how popular imagery can carry profound cultural significance.\u003c\/p\u003e\n\u003cp\u003eProduced as a silkscreen in 2019, the work showcases Murakami's extraordinary precision in printmaking, with brilliant color, crisp linework, and remarkable complexity across every inch of the surface. Simultaneously playful and sophisticated, \"Wouldn't It Be Nice If We Could Do Such a Thing, 2019\" captures the shared spirit of creativity that links Murakami and \"Doraemon,\" offering collectors an engaging work that celebrates storytelling, artistic innovation, and the enduring power of imagination.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"18.25 x 37","offer_id":32418632564807,"sku":"GRMURSS1908","price":28850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRMURSS1908__P-Image_Wouldn_t_it_be_nice_if_we_could_do_such_a_thing_2019_GRMURSS1908_NU0278_sm_ed_bl_7863fc7e-ae72-4eff-8d69-d1aeb58690e1.jpg?v=1785179263"},{"product_id":"untitled-le-lezard-aux-plumes-dor-m-809","title":"Untitled (The Golden Feathered Lizard, M.809), 1971","description":"\u003cp\u003e\"Untitled (The Golden Feathered Lizard, M.809)\" is a lithograph created by Joan Miró in 1971. From the edition of 290, the artwork is signed 'Miró' lower right and annotated lower left. The artwork is framed in a contemporary black frame and has a framed size of 29 x 23.75\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Joan Miró","offers":[{"title":"Default Title","offer_id":32544968114247,"sku":"LTMIRZ809SC","price":34850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTMIRZ809SC_Le_Lezard_Aux_Plumes_D_Or_Pl.9_EA0008_pimage_ed_bl.jpg?v=1786033996"},{"product_id":"untitled-1983-sfm83-338","title":"Untitled (SFM83-338), 1983","description":"\u003cp\u003e\"Untitled (SFM83-338)\" is a monotype\/woodcut with mixed media on handmade paper created by Sam Francis in 1983. The artwork is estate stamped on verso. The artwork is framed in a contemporary light wood frame and has a framed size of 36 x 41\". The artwork ships framed.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"24.25 x 29.75","offer_id":32569843843143,"sku":"FAFRA830338","price":28850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Sam_Francis_-_Untitled_1983_SFM83-338.jpg?v=1600461278"},{"product_id":"untitled-1970-sf68-44","title":"Untitled (SF68-44), 1970","description":"\u003cp\u003e\"Untitled (SF68-44)\" is an acrylic on paper painting created by Sam Francis in 1970. The artwork is signed and dated 'Sam Francis 1970' on verso. 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