{"title":"Abstract","description":null,"products":[{"product_id":"takara-night-onto-day","title":"189 - Night Into Day, c.1980s","description":"\u003cp\u003e\"Night Into Day\" is an acrylic on canvas painting created by Seikichi Takara c.1980. The artwork is signed 'S Takara' lower left. The artwork ships framed in a contemporary white frame and has a framed size of 56 x 66\".\u003c\/p\u003e","brand":"Seikichi Takara","offers":[{"title":"50 x 60","offer_id":16687316795463,"sku":"ORTAK058100","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/719_ORTAK058100__P-Image_night_onto_day_ortak058100copy.jpg?v=1785346267"},{"product_id":"hirst-psalm-107-confitemini-domino-2008","title":"014 - Psalm 107: Confitemini Domino, 2008","description":"\u003cp\u003e\"Psalm 107: Confitemini Domino\" is a butterflies and household gloss on canvas painting created by Damien Hirst in 2008. The artwork is signed, titled and dated on verso. The artwork ships framed in a custom contemporary plexi-box frame and has a framed size of 18.75 x 18.75\".\u003c\/p\u003e\n\n\u003cp\u003eDamien Hirst’s butterfly paintings are among the most recognizable works of his career, bringing together beauty, fragility, preservation, and mortality in a single image. In these works, the butterfly is both seductive and unsettling: a symbol of life and transformation, but also a real, preserved body fixed permanently to the painted surface.\u003c\/p\u003e\n\n\u003cp\u003e\"Psalm 107: Confitemini Domino\" belongs to Hirst’s 2008 \"Psalm\" series, a group of 150 circular butterfly paintings named after the Psalms of the Old Testament. Each work uses butterflies in a kaleidoscopic arrangement, creating compositions that recall stained glass, mandalas, and church rose windows. The effect is decorative at first glance, but the longer one looks, the more complicated the image becomes. Hirst turns natural color and symmetry into something devotional, fragile, and slightly uncanny.\u003c\/p\u003e\n\n\u003cp\u003eThis example is compact but visually complete. Measuring 18 inches in diameter, it has the clarity of a small devotional object rather than the scale of a conventional painting. The lavender ground gives the work a calm, almost luminous atmosphere, while the butterflies create a strong circular rhythm around the central specimen. Yellows, oranges, whites, blacks, and iridescent blues move around the surface in ordered rings, balancing natural beauty with the precision of Hirst’s studio language.\u003c\/p\u003e\n\n\u003cp\u003eThe title, \"Confitemini Domino,\" refers to Psalm 107, which begins with a call to give thanks. That reference adds another layer to the work’s religious structure. Hirst is not making a traditional religious painting, but he borrows the visual and emotional architecture of sacred art: the circle, the radiant pattern, the jewel-like color, and the sense of looking into something preserved outside ordinary time.\u003c\/p\u003e\n\n\u003cp\u003e\"Psalm 107: Confitemini Domino\" is best understood as a refined, accessible example of Hirst’s butterfly practice. It offers the key elements collectors look for in this body of work — real butterflies, gloss surface, symmetry, mortality, beauty, and strong documentation — in a scale that is intimate, collectible, and easy to live with.\u003c\/p\u003e","brand":"Damien Hirst","offers":[{"title":"18\" diameter","offer_id":16945803526215,"sku":"FAHIS200809","price":385000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/psalm_107_confitemini_domino_fahis200809_framed_transparent.png?v=1769629873"},{"product_id":"francis-untitled-1960-sf60-1203","title":"Untitled (SF60-1203), 1960","description":"\u003cp\u003e\"Untitled (SF60-1203)\" is an acrylic on paper painting created by Sam Francis in 1960. The painting is signed 'Sam Francis', estate stamped and dated on verso. The artwork ships framed in a custom contemporary light wood frame and has a framed size of 23.25 x 27.25\".\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"17 x 21.25","offer_id":16980097171527,"sku":"FAFRA601203","price":68850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA601203__P-Image_SF601203_FAFRA601203copy.jpg?v=1760632685"},{"product_id":"sans-titre-1980-sf80-450","title":"002 - Sans Titre (SF80-450), 1980","description":"\u003cp\u003e\"Sans Titre (SF80-450)\" is an acrylic on paper painting created by Sam Francis in 1980. The artwork is inscribed 'SF80-450' on verso in pencil. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 38.5 x 50.25\".\u003c\/p\u003e\n\n\u003cp\u003e“…painting is an illusion – when people see ‘movement’ in a work, that movement isn’t there, the painting is static, the movement is in the soul or mind of the viewer.’ – Sam Francis\u003c\/p\u003e\n\n\u003cp\u003eIn this work on paper, a clear break is made from the grid paintings of the late 70s. A combination of structured shapes intermingle with free-form blotches and paint splattering. The use of bold, highly pigmented colors, contrasts with the white background of the paper allowing for the shapes to appear as if they could float off the page. The white space itself also serves a purpose as the source of light, accentuating this ‘illusion.’ For Francis, works like \"San Titre (SF80-450), 1980\" were a liberating experience in allowing color to take control and to create what he called “movement.” Even if the page itself was not moving, Francis would strive to ignite the movement within the soul of the viewer through his use of color. This distinction in Francis’s work is what would forever set him apart from his peers as he understood deeply the effect color could have on his audience both visually and psychologically.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":17809745051719,"sku":"FAFRA800450","price":295000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA800450__P-Image_francis_sans_titre_1980_sf80450_fafra800450sm.jpg?v=1738876990"},{"product_id":"bright-web-1973-sf73-5","title":"Bright Web (SF73-5), 1973","description":"\u003cp\u003e\"Bright Web (SF73-5)\" is an acrylic on paper painting created by Sam Francis in 1973. The artwork is signed and dated 'Sam Francis 1973 Tokyo' verso. The artwork ships framed in a custom, closed-corner, gold leaf frame and has a framed size of 30.75 x 39\".\u003c\/p\u003e\n\n\u003cp\u003eIn \"Bright Web (SF73-5),\" Sam Francis orchestrates a dazzling network of color and motion, a luminous tangle of red, blue, yellow, and green overlaid with rhythmic bursts of black and violet. Painted in 1973, this work marks a critical moment of renewal and personal reckoning, when color, psychology, and gesture converged into one of the most dynamic phases of his career.\u003c\/p\u003e\n\n\u003cp\u003eFrancis had long been an artist of global reach and introspective depth. A key figure in American abstraction, he lived and worked across Paris, California, and Tokyo, absorbing Eastern and Western influences alike. By the early 1970s, he had begun studying Jungian psychology to better understand his vivid dreams and the subconscious images that surfaced in his art. These investigations brought focus to the “center,” the psychological root of the self, a concept that is deeply embedded in \"Bright Web.\" The title itself evokes both complexity and clarity: a radiant, emotional structure radiating outward from a concentrated core.\u003c\/p\u003e\n\n\u003cp\u003eThis painting’s vibrant palette reflects the revitalization Francis experienced during his time in Japan. Immersed in the visual energy of Tokyo in late 1973, he re-embraced saturated hues and spontaneous movement. Here, color does not passively fill space — it collides, fractures, and erupts. Movement travels from the red core outward, with each hue asserting itself while still harmonizing within the whole. The black and violet splatters do not dampen the brightness; they give it contrast, grounding the composition with intensity.\u003c\/p\u003e\n\n\u003cp\u003eFrancis once described painting as an act of transmission — a vessel for something larger. In \"Bright Web,\" that transmission feels both urgent and sublime. The painting becomes a map of internal states, a web of thought, emotion, and dream. Through his rare understanding of color and its psychological resonance, Francis offers viewers not just an image, but an experience.\u003c\/p\u003e\n\n\u003cp\u003eFor collectors, \"Bright Web (SF73-5)\" is a striking and historically resonant example of Francis’s mature vision — a work of chromatic vitality and spiritual weight, created at a pivotal moment in his artistic evolution. It is as bold as it is introspective, as grounded as it is transcendent, a true embodiment of what makes Sam Francis one of the most compelling voices in 20th-century abstraction.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32412083126343,"sku":"FAFRA730500","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/166_FAFRA730500__P-Image_francis_bright_web_1973_sf735_fafra730500sm.jpg?v=1760632090"},{"product_id":"hurrah-for-the-red-white-and-blue-1961-sf-17","title":"005 - Hurrah for the Red, White, and Blue (SF-17), 1961","description":"\u003cp\u003e\"Hurrah for the Red, White, and Blue (SF-17)\" is a lithograph created by Sam Francis in 1961. From the edition of 400, the artwork is signed 'Sam Francis' lower right and annotated lower left. The artwork is framed in a contemporary white frame and has a framed size of 24 x 31\". The artwork ships framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"19.5 x 25.75","offer_id":31686733627463,"sku":"LTFRA0017SC","price":24850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTFRA0017SC__P-Image_ltfra0017sc_hurrah_for_the_red_white_and_blue_eaun01.jpg?v=1738877246"},{"product_id":"slant-sf70-138","title":"Slant (SF70-138), 1970","description":"\u003cp\u003e\"Slant (SF70-138)\" is an acrylic on paper painting created by Sam Francis in 1970. The artwork is signed 'Sam Francis' and dated on verso. The artwork ships framed in a light colored contemporary frame and has a framed size of 52 x 40.25\".\u003c\/p\u003e\n\n\u003cp\u003eIn \"Slant (SF70-138),\" created in 1970, Sam Francis constructs a luminous, structured field of intersecting color and space, a work that bridges the artist’s earlier “Edge” paintings with his increasingly fluid, gestural compositions of the 1970s. Carefully balanced yet visually charged, this acrylic on paper artwork reflects a pivotal moment in Francis’s evolution, as he moved from working around absence to activating the entire surface of the paper through color, movement, and subtle psychological geometry.\u003c\/p\u003e\n\n\u003cp\u003eBy 1970, Francis had begun to move away from the pure white voids and tight framing devices of the late 1960s, instead experimenting with compositional openness, layered gesture, and vibrant, shifting pathways. \"Slant (SF70-138)\" exemplifies this transition. Wet lines of both bright and dark hues crisscross the mostly white plane, forming loose geometries that create pockets of negative space, a map of converging possibilities. These lines are not static: they drip, bleed, and dilute, creating areas of soft transparency that contrast with concentrated pools of pigment, particularly at the boundaries of the sheet. This interplay of saturated edges and paler internal hues infuses the work with a spatial rhythm that feels both measured and organic. Though the composition may appear structured, it is anything but rigid. The directional slants and pathways suggest movement through thought, a visual metaphor for the subconscious. \u003c\/p\u003e\n\n\u003cp\u003e\"Slant (SF70-138)\" is a refined and resonant example of Sam Francis’s shift toward a more liberated and psychologically charged abstraction. It is a painting of pathways, not just of color and line, but of thought and possibility.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32604808151111,"sku":"FAFRA700138","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA700138__P-Image_sf70-138_slant_fafra700138_or00011.jpg?v=1754685976"},{"product_id":"untitled-sf74-205-tokyo","title":"Untitled (SF74-205, Tokyo), 1974","description":"\u003cp\u003e\"Untitled (SF74-205, Tokyo)\" is an acrylic on paper painting created by Sam Francis in 1974. The artwork is titled and dated on verso. The artwork ships framed in a custom closed-corner  gold leaf frame and has a framed size of 31.25 x 39\".\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"22.25 x 30","offer_id":31686733791303,"sku":"FAFRA740205","price":195000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA740205__P-Image_francis_sft74205_fafra740205.jpg?v=1754686070"},{"product_id":"untitled-sfe-015-grey","title":"Untitled (SFE-015, I.48), 1984","description":"\u003cp\u003e\"Untitled (SFE-015, I.48)\" is a trial-proof aquatint created by Sam Francis in 1984. From the edition of 51, the artwork is signed 'Sam Francis' lower right and annotated lower left. The artwork is framed in a contemporary white frame and has a framed size of 38.5 x 23\". The artwork ships framed and is accompanied by a certificate of authenticity.  \u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":31687463960647,"sku":"AQFRA0I48SC CTPUN4","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/AQFRA0I48SC__P-Image_Untitled_SFE-015_AQFRA0I48SC_CTPUN4.jpg?v=1737687356"},{"product_id":"untitled-1977-sf77-069","title":"Untitled (SF77-069), 1977","description":"\u003cdiv\u003e\u003cspan\u003e\"Untitled (SF77-069)\" is an acrylic on paper painting created by Sam Francis in 1977. The artwork is signed 'Sam Francis' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 16.25 x 18\".\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSam Francis was among the most respected colorists of the postwar era, and \"Untitled (SF77-069), 1977,\" offers compelling evidence of his achievement. By the late 1970s, Francis had entered the mature phase of his celebrated Matrix paintings, a body of work in which structure and spontaneity converge with striking force. Here, color is not merely applied; it is orchestrated, released, and contained within a disciplined armature that intensifies its power.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Matrix paintings mark a pivotal moment in Francis’s evolution. After the open expanses of his Edge paintings and the explosive gestural fields of earlier decades, he adopted a gridded cross-weave that suggests both architectural rigor and meditative repetition. Yet the grid is never static. In Francis’s hands, it becomes a living scaffold: a rhythmic system that allows color to assert its psychic and emotional charge with heightened clarity. The matrix is not confinement, but catalyst.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn \"Untitled (SF77-069),\" the geometry of a square mandala seems to underlie the composition. The format evokes balance and centeredness, while the center remains open, animated, and alive. Spurts of pigment invade the white field: splatters, blotches, and smears pulse across the surface with improvisational urgency. The painting’s central drama lies in this tension between order and eruption.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eColor generates the work’s energy and movement. Crimsons interlace with bright blues, oranges, greens, and yellows, creating passages of deepened tonality. What first appears black is in fact the result of layered acrylics, pigments merging into dense, near-opaque hues that heighten the surrounding luminosity. In places, yellow turns earthen as it meets neighboring tones, revealing the physicality of paint and the alchemical nature of Francis’s process.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDespite the density of activity, the white center and corners remain luminous anchors. For Francis, white is neither absence nor pause, but an active force: a breathing interval that heightens saturation and draws the eye inward. The result is both contemplative and dynamic, a visual oscillation between stillness and release.\u003c\/span\u003e\u003c\/div\u003e","brand":"Sam Francis","offers":[{"title":"7 x 10","offer_id":31686734446663,"sku":"FAFRA197702","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA197702__P-Image_untitled_1977_sf77069_fafra197702.jpg?v=1754686204"},{"product_id":"untitled-1980-sf80-107","title":"Untitled (SF80-107), 1980","description":"\u003cp\u003e\"Untitled (SF80-107)\" is an acrylic on paper painting created by Sam Francis in 1980. The artwork is signed and dated 'Sam Francis 1980' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 20.75 x 26.75\". \u003c\/p\u003e\n\n\u003cp\u003eIn \"Untitled (SF80-107),\" Sam Francis propels his long-standing grid motif into a new chromatic frontier. Executed in 1980, this acrylic on paper bursts with layered fields of violet, green, red, and light washes of blue. Unlike his earlier, more rigid compositions of the 1970s — where black lattices dominated the visual architecture — this work dissolves those boundaries. The grid remains, but only as a ghost, veiled beneath the exuberant interplay of luminous, organic color.\u003c\/p\u003e\n\n\u003cp\u003eBy the 1970s, Francis was immersed in the formal potential of the grid. Early in the decade, these structures were sometimes dense and somber, with black underpinnings holding the composition like scaffolding. Vivid bursts of color appeared, but always in service to the geometry beneath. By 1980, however, \"Untitled (SF80-107)\" reveals that Francis had begun to liberate color from the framework altogether.\u003c\/p\u003e\n\n\u003cp\u003eIn this late “grid” painting, the once-dominant lattice has all but disappeared, consciously painted over. Francis lets the color take control. Pools of violet and teal hover beside streaks of red, blue, and even soft pink, creating a visual field that is rhythmically structured yet full of improvisational vitality. These forms don’t follow rigid paths; they interact freely, pulsing across the surface like cellular movement or musical notes in harmonic dissonance. There’s a palpable sense of transformation in this piece, not only in palette but in intent. \"Untitled (SF80-107)\" marks a turning point in Francis’s career, when the grid became less about containment and more about flow, transition, and emotional intensity. The fading grid, the swelling fields of radiant pigment, and the sense of structural release signal an artist moving confidently into a new visual language. For collectors seeking not only beauty but historical and conceptual significance, this is a compelling and essential acquisition.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32593869307975,"sku":"FAFRA800107","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/295_FAFRA800107__P-Image_untitled_1980_sf80107_fafra800107.jpg?v=1760633240"},{"product_id":"squares-in-red-1972-sf72-82","title":"Squares in Red (SF72-82), 1972","description":"\u003cp\u003e\"Squares in Red (SF72-82)\" is an acrylic on solid vellum painting created by Sam Francis in 1972. The artwork is signed, dated and inscribed 'Sam Francis 1972 LA' verso. The artwork is framed in a contemporary closed-corner gold leaf frame and has a framed size of 39 x 31.25\".\u003c\/p\u003e\n\n\u003cp\u003eBy 1972, Sam Francis had entered a period of renewed structural clarity. After exploring the expansive openness of his “Sail” paintings, he began introducing geometry as a means of sustaining space rather than limiting it. “Squares in Red (SF72-82)” reflects this pivotal evolution, where gesture and architecture achieve a poised equilibrium.\u003c\/p\u003e\n\n\u003cp\u003eThis shift emerged in works associated with the “Fresh Air” period of 1972 to 1973, when Francis experimented with structural beams created through tinted gesso, water, brushes, and rollers. Pigment was often applied wet on wet and later reactivated, allowing control and improvisation to coexist. Gradually, these linear elements straightened and intersected, forming the gridded armatures that would define his Matrix paintings. In “Squares in Red,” that development is fully realized.\u003c\/p\u003e\n\n\u003cp\u003eA measured lattice organizes the composition. The perpendicular lines establish rhythm without rigidity, creating intervals that steady rather than confine the picture plane. Within these squared passages, red dominates. It ranges from saturated crimson to luminous translucent washes that appear to glow from within. Subtle flickers of complementary tones animate the surface, adding depth and movement.\u003c\/p\u003e\n\n\u003cp\u003eWhite remains central to Francis’s vision. Here it is no longer an expansive void but articulated into quiet intervals of pause and breath. These passages of white provide clarity and balance, guiding the eye gently across the grid. Structure and openness engage in calm dialogue.\u003c\/p\u003e\n\n\u003cp\u003eThe early 1970s marked a profound creative renewal for Francis, a time often linked to his engagement with Jungian analysis and heightened introspection. The works from this period reconcile seeming opposites: discipline and spontaneity, geometry and gesture, energy and restraint.\u003c\/p\u003e\n\n\u003cp\u003eIn “Squares in Red,” that reconciliation feels complete. The painting unfolds with quiet assurance. Geometry becomes expressive, color architectural, and space a field of measured harmony. The result is not tension but resolution, a work in which vitality and order coexist in luminous balance.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32325070684231,"sku":"FAFRA720082","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA720082__P-Image_fafra720082_sf72_82_squares_in_red_1972_or0001.jpg?v=1754686008"},{"product_id":"conversations-2020","title":"179 - Conversations, 2020","description":"\u003cp\u003e\"Conversations\" is an acrylic on canvas painting created by Robert Standish in 2020. The artwork is signed, titled and dated on verso. The artwork ships framed in a contemporary white frame and has a framed size of 41.25 x 31.25\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":32564985856071,"sku":"ORSTA202008","price":10850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/728_ORSTA202008__P-Image_conversations_orsta202008_or0001.jpg?v=1771447234"},{"product_id":"untitled-1983-sfm83-338","title":"Untitled (SFM83-338), 1983","description":"\u003cp\u003e\"Untitled (SFM83-338)\" is a monotype\/woodcut with mixed media on handmade paper created by Sam Francis in 1983. The artwork is estate stamped on verso. The artwork is framed in a contemporary light wood frame and has a framed size of 36 x 41\". The artwork ships framed.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"24.25 x 29.75","offer_id":32569843843143,"sku":"FAFRA830338","price":28850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Sam_Francis_-_Untitled_1983_SFM83-338.jpg?v=1600461278"},{"product_id":"untitled-1970-sf68-44","title":"Untitled (SF68-44), 1970","description":"\u003cp\u003e\"Untitled (SF68-44)\" is an acrylic on paper painting created by Sam Francis in 1970. The artwork is signed and dated 'Sam Francis 1970' on verso. The artwork ships framed in a custom, closed-corner, gold leaf frame and has a framed size of 50 x 36.5\".\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32678414155847,"sku":"FAFRA680044","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/168_FAFRA680044__P-Image_untitled_1970_fafra680044_or0001.jpg?v=1760632768"},{"product_id":"coral-six-sf71-041","title":"007 - Coral Six (SF71-041), 1971","description":"\u003cp\u003e\"Coral Six (SF71-041)\" is an acrylic on paper painting created by Sam Francis in 1971. The artwork is signed, dedicated and dated '1971' on verso. The artwork ships framed in a contemporary white frame and has a framed size of 40.25 x 52.25\".\u003c\/p\u003e\n\n\u003cp\u003e‘People looking into the open centers of his ‘Edge’ paintings of the late 1960s would ask: ‘Sam, why is it so empty?’ and he‘d say, ‘The space at the center of these paintings is reserved for you.’\u003c\/p\u003e\n\n\u003cp\u003eSam Francis’s life was shaped by rupture and renewal. As a young man he intended to become a doctor, but a severe back injury during military service left him confined to a hospital bed for years. Immobilized and staring at a vast white ceiling, he became acutely aware of light, shadow, and open space. In that stillness, painting emerged as both refuge and revelation. Encouraged by his friend David Park, Francis redirected his life toward art, earning degrees by 1950 before moving to Paris, where he quickly gained international acclaim.\u003c\/p\u003e\n\n\u003cp\u003eInfluenced by artists such as Matisse, Francis developed a refined sensitivity to color and spatial orchestration. While his works of the 1960s often carried gestural intensity, the early 1970s marked a shift toward clarity and restraint in what became known as his “Edge” or “Sail” paintings. “Coral Six (SF71-041)” stands as a compelling example of this evolution.\u003c\/p\u003e\n\n\u003cp\u003eIn this work, the white canvas is not passive background but an active, resonant field. Francis allows space to breathe, treating it as a meditative presence. Bands of saturated orange, deep violet and teal gather along the edges of the composition, forming vivid strips that appear to orbit the central void. These chromatic passages press against the white interior, heightening its luminosity and creating a rhythmic perimeter.\u003c\/p\u003e\n\n\u003cp\u003eColor functions as a pathway, guiding the eye along the margins before releasing it back into the quiet openness at the center. The result is a balance between saturation and stillness, presence and absence. The composition suggests movement without narrative, inviting contemplation rather than spectacle.\u003c\/p\u003e\n\n\u003cp\u003eThe psychological dimension of this approach reflects Francis’s engagement with Jungian thought during this period. The white field becomes a space of potential rather than emptiness, while the vibrant borders frame rather than dominate it. Meaning arises through openness and attentive looking.\u003c\/p\u003e\n\n\u003cp\u003eIn “Coral Six (SF71-041),” Francis demonstrates that space itself can carry expressive weight equal to color. 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The artwork ships framed in a contemporary black frame and has a framed size of 41.5 x 31.5\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":39558802571335,"sku":"ORSTA202122","price":10850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ascent_orsta202122_or0001_9dda90a8-d206-40df-9288-e7d7347cec4e.jpg?v=1771448724"},{"product_id":"untitled-sfp94-8","title":"Untitled (SFP94-8), 1994","description":"\u003cp\u003e\"Untitled (SFP94-8)\" is an acrylic on canvas laid on board created by Sam Francis in 1994. The artwork is estate stamped on verso. The artwork ships framed in a contemporary white frame and has a framed size of 16.5 x 20\".\u003c\/p\u003e\n\n\u003cp\u003eIn 1994, the final year of his life, Sam Francis created a remarkable body of work marked by intensity, urgency, and radiant color. \"Untitled (SFP94-8)\" emerges from this profound late period as a luminous and deeply personal statement. Like others in the series, it serves as both testament and legacy: to the vitality of an artist who, despite immense physical adversity, created with a force that transcended the frailty of his body and revealed the full power of his inner world.\u003c\/p\u003e\n\n\u003cp\u003eSaturated blues, fluorescent magentas and vibrant greens hover and flare against the canvas, their intensity heightened by areas of bright white open space. The chromatic relationships feel less confrontational than atmospheric — as if the colors are suspended in motion, drifting, expanding, and subtly interpenetrating. Organic forms echo loosely gridded structures, but the geometry never fully settles; it flickers between order and dissolution.\u003c\/p\u003e\n\n\u003cp\u003eThe splatters and bleeding edges suggest immediacy, yet they carry the assurance of a lifetime’s mastery. Francis’s handling of acrylic here is supple and deliberate. Pigment pools and thins; transparency meets saturation in delicate equilibrium. As William C. Agee observed of Francis’s work, color possesses “expressive and psychic power” — and in \"Untitled (SFP94-8),\" that power feels inward, meditative, almost cosmic.\u003c\/p\u003e\n\n\u003cp\u003eThe late paintings move abstraction into metaphysical territory, and this canvas feels particularly untethered. The absence of a fixed center invites contemplation rather than confrontation. Instead of anchoring the viewer, the composition opens outward, evoking a sense of boundlessness. It reads as a distilled reflection — a painting less about structure than about sensation, perception, and interior space.\u003c\/p\u003e\n\n\u003cp\u003eFrancis’s intimacy with his medium remained unwavering to the end. His sensitivity to opacity, layering, and surface tension is evident in every passage of paint. \"Untitled (SFP94-8)\" is not simply a late work; it is a summation. 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These chromatic bursts are not decorative but experiential, creating a field that seems to vibrate with motion. In counterpoint, darker amorphous black forms introduce weight and gravity. The tension between luminous color and shadowed depth generates a dynamic equilibrium.\u003c\/p\u003e\n\n\u003cp\u003eAcrylic lends the surface a physical assertiveness distinct from the translucency of watercolor. Color pools, collides, and expands across the paper, while the white ground remains active and responsive. Each gesture appears instinctive yet deliberate, guided by Francis’s refined understanding of balance. The composition achieves intensity without chaos, allowing energy to circulate within a disciplined framework.\u003c\/p\u003e\n\n\u003cp\u003eCreated during the final decade of his career, this work reflects Francis’s continued exploration of contrast and psychological force. 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The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":39871329730631,"sku":"LTFRA0019SC","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTFRA0019SC__P-Image_ltfra0019sc_hurrah_for_teh_red_white_and_blue_II_eaun01.jpg?v=1754685951"},{"product_id":"round-in-round","title":"Round in Round, 2022","description":"\u003cp\u003e\"Round in Round\" is an acrylic on canvas painting created by Robert Standish in 2022. The painting is signed, titled, and dated on verso. 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The artwork is framed in a contemporary white circular frame and has framed size of 48.5 x 48.5\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":39898099974215,"sku":"ORSTA202242","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Robert_Standish_-_Kinetic_Release.jpg?v=1668459370"},{"product_id":"migration-cobalt-blue","title":"172 - Migration (Cobalt Blue), 2022","description":"\u003cp\u003e\"Migration (Cobolt Blue)\" is an acrylic on canvas painting created by Robert Standish in 2022. The artwork is signed, titled, and dated on verso. The artwork ships framed in a contemporary black frame and has a framed size of 37.5 x 25.5\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":39898100105287,"sku":"ORSTA202249","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA202249__P-Image_migration_cobalt_blue_orsta202249_or0001.jpg?v=1771446934"},{"product_id":"habitat-floriography-deep-red","title":"173 - Habitat Floriography (Deep Red), 2022","description":"\u003cp\u003e\"Habitat Floriography (Deep Red)\" is an acrylic on canvas painting created by Robert Standish in 2020. The artwork is signed, titled, and dated on verso. The artwork ships framed in a contemporary white frame and has a framed size of 37.5 x 25.25\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":39898100301895,"sku":"ORSTA202258","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/478_ORSTA202258__P-Image_habitat_floriography_deep_red_orsta202258_or00011.jpg?v=1738168592"},{"product_id":"floriography-cobalt-blue","title":"Floriography (Cobalt Blue), 2022","description":"\u003cp\u003e\"Floriography (Cobalt Blue)\" is an acrylic on canvas painting created by Robert Standish in 2022. The artwork is signed, titled, and dated on verso. The artwork ships framed in a contemporary black frame and has a framed size of 37.5 x 25.25\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":39898100334663,"sku":"ORSTA202259","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA202259__P-Image_floriography_cobalt_blue_orsta202259_or0001.jpg?v=1754684376"},{"product_id":"colorways-continued-2022","title":"Colorways Continued, 2022","description":"\u003cp\u003e\"Colorways Continued\" is an acrylic on canvas painting created by Robert Standish in 2022. The artwork is signed, titled, and dated on verso. The artwork ships framed in a contemporary black frame and has a framed size of 37.5 x 25.3\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":44280725504317,"sku":"ORSTA202274","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA202274__P-Image_colorways_continued_orsta202274_or0001.jpg?v=1754684193"},{"product_id":"untitled-c-1971-1972-sf71-1011","title":"Untitled (SF71-1011), c.1971-1972","description":"\u003cp\u003e\"Untitled (SF71-1011)\" is an acrylic on paper painting created by Sam Francis in 1971. The artwork is estate signature and stamped on verso. The artwork ships framed in a contemporary light wood frame and has a framed size of 48.38 x 35.75\".\u003c\/p\u003e\n\n\u003cp\u003e‘People looking into the open centers of his ‘Edge’ paintings of the late 1960s would ask: ‘Sam, why is it so empty?’ and he‘d say, ‘The space at the center of these paintings is reserved for you.’\u003c\/p\u003e\n\n\u003cp\u003eSam Francis’s life was marked by transformation. As a young man he intended to become a doctor, but a severe back injury during military service left him confined to a hospital bed for years. Immobilized in a full body cast, he spent long stretches staring at the white ceiling, observing subtle shifts of light and shadow across an endless plane. In that stillness, painting emerged as both solace and revelation. Encouraged by his friend David Park, Francis began to work with paint, redirecting his life toward art. By 1950 he had completed graduate studies and soon moved to Paris, where he gained international recognition as a leading American painter abroad.\u003c\/p\u003e\n\n\u003cp\u003eInfluenced by artists such as Matisse, Francis developed a profound sensitivity to color and space. While his canvases of the 1960s often carried bold gestural intensity, the early 1970s marked a shift toward openness and restraint. “Untitled (SF71-1011),” created around 1971 to 1972, exemplifies this contemplative “Edge” or “Sail” phase.\u003c\/p\u003e\n\n\u003cp\u003eIn this painting, white is not background but presence. The canvas becomes an expansive, meditative field. Color gathers along the perimeter in translucent greens, luminous reds, and soft yellows. These delicate bands trace the margins rather than dominate the center, forming subtle visual paths that guide the eye inward and outward. The pigments appear suspended, allowing the white ground to breathe through them and creating a sensation of air and light.\u003c\/p\u003e\n\n\u003cp\u003eThe effect is quiet and introspective. Rather than overwhelming the viewer, the composition invites sustained attention. Francis demonstrates that his mastery lies not only in chromatic brilliance but in his orchestration of space. The balance between presence and openness carries psychological resonance. Influenced by Jungian thought, Francis approached painting as a process of revelation, allowing meaning to emerge through attentive engagement.\u003c\/p\u003e\n\n\u003cp\u003eIn “Untitled (SF71-1011),” the white field becomes a space of potential rather than emptiness. The restrained color framing it suggests harmony between the visible and the implied. The painting stands as a meditation on equilibrium, interiority, and the transformative power of space and light.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":44280728355133,"sku":"FAFRA711011","price":245000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA711011__P-Image_SF711011_FAFRA711011_939c3c47-cabb-40d1-876a-aaf5e671da70.jpg?v=1774552009"},{"product_id":"untitled-1970","title":"Untitled, 1970","description":"\u003cp\u003e\"Untitled, 1970\" is an acrylic on paper painting created by Sam Francis in 1970. The painting is signed, inscribed and dated 'Sam Francis Tokyo 1970' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 32 x 40.5\".\u003c\/p\u003e\n\n\u003cp\u003eExecuted in Tokyo in 1970, this luminous acrylic on paper by Sam Francis embodies the artist’s mastery of color, gesture, and spatial tension. Inscribed on the reverse “Sam Francis Tokyo 1970,” the work belongs to a pivotal international period when his painting became increasingly meditative and attuned to non-Western concepts of space.\u003c\/p\u003e\n\n\u003cp\u003eSam Francis remains one of the most significant American painters of the postwar era. Though often associated with Abstract Expressionism, he forged an independent path centered on color as energy and space as a living presence. By 1970, having worked extensively in Paris, New York, Los Angeles, and Tokyo, Francis had absorbed diverse cultural influences. His time in Japan proved especially formative, deepening his engagement with ideas such as ma, the expressive power of negative space, and mu, the concept of nothingness as potential.\u003c\/p\u003e\n\n\u003cp\u003eHorizontally oriented, the composition is framed by radiant splashes of rainbow color that gather along the edges of the sheet. These chromatic bursts form an irregular border that energizes the white field within. A deliberate opening in the lower left interrupts the frame, creating a sense of pause and breath. This asymmetry activates the composition and underscores Francis’s sensitivity to balance and tension.\u003c\/p\u003e\n\n\u003cp\u003eAcross the central white expanse, three painterly bands traverse the surface. One begins in a direct line before gently curving, while the other two move in more parallel trajectories toward the lower right. Hovering between drawing and gesture, these bands evoke calligraphic movement or natural forces such as wind or water. The white space is not passive background but an active field that amplifies the vibrancy of the color. The composition feels expansive yet intimate, structured yet fluid.\u003c\/p\u003e\n\n\u003cp\u003eWorks from Francis’s Tokyo period are highly regarded for their refinement and cross-cultural depth. “Untitled, 1970” reflects a moment of serene authority in his career, when gesture, color, and emptiness achieved a delicate equilibrium. The result is a meditation in light and movement, offering a distilled expression of Francis’s enduring pursuit of spatial and chromatic harmony.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":44280728420669,"sku":"FAFRA197002","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA197002__P-Image_francis_untitled_1970_fafra197002.jpg?v=1738876867"},{"product_id":"untitled-1976-sf76-1141a","title":"013 - Untitled (SF76-1141A), 1976","description":"\u003cp\u003e\"Untitled (SF76-1141A)\" is an acrylic on paper painting created by Sam Francis in 1976. The artwork is signed twice, dated and dedicated 'Sam Francis Merry Christmas to Phillip and Paula 1976' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 31 x 39\".\u003c\/p\u003e\n\n\u003cp\u003eIn \"Untitled (SF76-1141A),\" painted in 1976, Sam Francis presents a meditative, symbol-laden composition that vibrates with energy and introspection. A dark cruciform form anchors the core of the image, radiating outward like a mandala or vajra, while luminous bursts of yellow and red fracture the surface. Pale washes of blue and violet push through the open spaces, giving the work a layered, atmospheric depth. \u003c\/p\u003e\n\n\u003cp\u003eAlthough associated with Abstract Expressionism, Francis’s work from the 1970s stands apart for its integration of Eastern philosophies, particularly Buddhism, and his exploration of symbols as containers for complex states of mind. During this period, Francis became increasingly drawn to cosmological and spiritual imagery, circles, mandalas, cruciforms, and grids. These motifs weren’t decorative but deeply resonant, drawing from Zen Buddhist traditions and Jungian archetypes. His paintings became a way of mapping the interior self, charting paths toward clarity and consciousness through color and form.\u003c\/p\u003e\n\n\u003cp\u003e\"Untitled (SF76-1141A)\" embodies this philosophy through a square “nimbus” form which hovers like a halo, partially enclosing the cruciform center and evoking a dharma wheel. These visual forms recall the vajra, a symbol in Buddhist tradition associated with the “Four Truths of Buddhism” — each point representing a path toward enlightenment.\u003c\/p\u003e\n\n\u003cp\u003eThe composition radiates in multiple dimensions: structured and chaotic, sacred and spontaneous. Francis coalesces his most vivid hues, crimson, yellow, violet, at the intersections and edges of this central geometric form, as if charging the structure with emotional and spiritual voltage. The black cruciform is not heavy; it is a stabilizing axis, a point of anchoring amid the flickering bursts of color and soft atmospheric washes.\u003c\/p\u003e\n\n\u003cp\u003eThis work is emblematic of Francis’s belief that painting was a vessel, not only of color but of consciousness. The combination of geometric centering and chromatic diffusion suggests a visual mantra: a contemplation on balance, direction, and awakening. As in many works from this period, Francis collapses the boundary between sacred imagery and abstraction, allowing symbols to resonate even in their ambiguity.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":44280728486205,"sku":"FAFRA761141A","price":195000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA761141A__P-Image_francis_sft761141a_fafra761141a.jpg?v=1760633028"}],"url":"https:\/\/martinlawrence.com\/collections\/abstract.oembed?page=5","provider":"Martin Lawrence Galleries","version":"1.0","type":"link"}