{"title":"April Feature","description":"","products":[{"product_id":"dali-jeremiah-our-historical-heritage-plate-k","title":"Jeremiah (Our Historical Heritage, Plate K), 1975","description":"\u003cp\u003e\"Jeremiah (Plate K)\" is an engraving created by Salvador Dalí in 1975 for his series 'Our Historical Heritage'. From the edition of 770, the artwork is signed 'Dalí' lower right and annotated lower left. The artwork is framed in a gold-tone, acanthus leaf frame and has a framed size of 38 x 31\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eSalvador Dalí’s \"Our Historical Heritage”, published in 1975, is a portfolio of 11 drypoint etchings and engravings with stencil color. The suite reflects Dalí’s sustained engagement with biblical history as a source of moral authority, spiritual conflict, and cultural origin. It centers on pivotal figures and episodes from the Hebrew scriptures (The Torah or Old Testament), including Adam and Eve, Noah’s Ark, Jonah and the Whale, Moses, Joseph, Elijah, Jeremiah, and the kings Saul, David, and Solomon.\u003c\/p\u003e\n\n\u003cp\u003eBiblically, the suite trace’s foundational themes of creation, covenant, prophecy, exile, and divine deliverance, stories that shaped the Western moral imagination. Rather than illustrating scripture literally, Dalí treats these scenes as emblematic moments that define humanity’s relationship with the divine. In \"Elijah and the Chariot\", for example, Dalí dramatizes the prophet’s ascent, using energetic line and vivid color to emphasize transcendence.\u003c\/p\u003e\n\n\u003cp\u003eAs a complete set, the suite reads as a carefully curated sacred history, while each individual plate stands as a vivid, self-contained interpretation of a timeless biblical scene.\u003c\/p\u003e","brand":"Salvador Dalí","offers":[{"title":"22.25 x 15.5","offer_id":16678716047431,"sku":"ENDALH00KSC","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/Jeremiah_plate_K_ENDALH00KSC_nu0052.jpg?v=1767120624"},{"product_id":"katz-pas-de-deux-i","title":"Pas de Deux I (David Salle and Janet Leonard), 1994","description":"\u003cp\u003e\"Pas de Deux I (David Salle and Janet Leonard)\" is a serigraph created by Alex Katz in 1994 for his \"Pas de Deux\" series. From the edition of 150, the artwork is signed 'Alex Katz' and annotated lower left. The artwork is framed in a contemporary black frame and has a framed size of 47.5 x 31.5\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThe images in the series are based on the artist’s monumental oil painting of the same name from 1983, now held by the Colby College Museum of Art in Maine.\u003c\/p\u003e\n\n\u003cp\u003eThe \"Pas de Deux\" series depicts five ‘power’ couples from the 1980s art world. In each couple, the women are wearing coats by the famous designer Norma Kamali while the men are in sharply tailored suits. The emphasis is on style with Katz’s trademark ‘cool’ obliterating any clues to meaning. Katz noted the importance of style over substance in his artistic expression stating, “Style and appearance are the things I’m more concerned about than what something means… I’d like to have style take the place of content, or the style be the content… I prefer it to be emptied of meaning, emptied of content.” (Richard Marshall. “Sources of Style” Exhibition Catalog, New York, Whitney Museum of American Art, Alex Katz, New York, 1986, p. 13).\u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":32670849171527,"sku":"GRKAT95051A","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/305_GRKAT95051A__P-Image_pas_de_deux_I_grkat95051A_nu0110.jpg?v=1759255732"},{"product_id":"katz-pas-de-deux-ii","title":"Pas de Deux II (Danny Moynihan and Laura Faber), 1994","description":"\u003cp\u003e\"Pas de Deux II (Danny Moynihan and Laura Faber)\" is a serigraph created by Alex Katz in 1994 for his \"Pas de Deux\" series. From the edition of 150, the artwork is signed 'Alex Katz' and annotated lower left. The artwork is framed in a contemporary black frame and has a framed size of 47.5 x 31.5\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThe images in the series are based on the artist’s monumental oil painting of the same name from 1983, now held by the Colby College Museum of Art in Maine.\u003c\/p\u003e\n\n\u003cp\u003eThe \"Pas de Deux\" series depicts five ‘power’ couples from the 1980s art world. In each couple, the women are wearing coats by the famous designer Norma Kamali while the men are in sharply tailored suits. The emphasis is on style with Katz’s trademark ‘cool’ obliterating any clues to meaning. Katz noted the importance of style over substance in his artistic expression stating, “Style and appearance are the things I’m more concerned about than what something means… I’d like to have style take the place of content, or the style be the content… I prefer it to be emptied of meaning, emptied of content.” (Richard Marshall. “Sources of Style” Exhibition Catalog, New York, Whitney Museum of American Art, Alex Katz, New York, 1986, p. 13).\u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":32670848909383,"sku":"GRKAT95051B","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/306_GRKAT95051B__P-Image_pas_de_deux_II_grkat95051B_nu01074_1.jpg?v=1759255756"},{"product_id":"katz-pas-de-deux-iii","title":"Pas de Deux III (Francesco and Alba Clemente), 1994","description":"\u003cp\u003e\"Pas de Deux III (Francesco and Alba Clemente)\" is a serigraph created by Alex Katz in 1994 for his \"Pas de Deux\" series. From the edition of 150, the artwork is signed 'Alex Katz' and annotated lower left. The artwork is framed in a contemporary black frame and has a framed size of 47.5 x 31.5\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThe images in the series are based on the artist’s monumental oil painting of the same name from 1983, now held by the Colby College Museum of Art in Maine.\u003c\/p\u003e\n\n\u003cp\u003eThe \"Pas de Deux\" series depicts five ‘power’ couples from the 1980s art world. In each couple, the women are wearing coats by the famous designer Norma Kamali while the men are in sharply tailored suits. The emphasis is on style with Katz’s trademark ‘cool’ obliterating any clues to meaning. Katz noted the importance of style over substance in his artistic expression stating, “Style and appearance are the things I’m more concerned about than what something means… I’d like to have style take the place of content, or the style be the content… I prefer it to be emptied of meaning, emptied of content.” (Richard Marshall. “Sources of Style” Exhibition Catalog, New York, Whitney Museum of American Art, Alex Katz, New York, 1986, p. 13).\u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":32675857301575,"sku":"GRKAT95051C","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/307_GRKAT95051C__P-Image_pas_de_deux_III_grkat95051C_nu0106.jpg?v=1759255800"},{"product_id":"katz-pas-de-deux-iv","title":"Pas de Deux IV (Vicki Hudspith and Wally Turbeville), 1994","description":"\u003cp\u003e\"Pas de Deux IV (Vicki Hudspith and Wally Turbeville)\" is a serigraph created by Alex Katz in 1994 for his \"Pas de Deux\" series. From the edition of 150, the artwork is signed 'Alex Katz' and annotated lower right. The artwork is framed in a contemporary black frame and has a framed size of 47.5 x 31.5\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThe images in the series are based on the artist’s monumental oil painting of the same name from 1983, now held by the Colby College Museum of Art in Maine.\u003c\/p\u003e\n\n\u003cp\u003eThe \"Pas de Deux\" series depicts five ‘power’ couples from the 1980s art world. In each couple, the women are wearing coats by the famous designer Norma Kamali while the men are in sharply tailored suits. The emphasis is on style with Katz’s trademark ‘cool’ obliterating any clues to meaning. Katz noted the importance of style over substance in his artistic expression stating, “Style and appearance are the things I’m more concerned about than what something means… I’d like to have style take the place of content, or the style be the content… I prefer it to be emptied of meaning, emptied of content.” (Richard Marshall. “Sources of Style” Exhibition Catalog, New York, Whitney Museum of American Art, Alex Katz, New York, 1986, p. 13).\u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":32675857629255,"sku":"GRKAT95051D","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/308_GRKAT95051D__P-Image_pas_de_deux_IV_grkat95051D_nu0106.jpg?v=1759255832"},{"product_id":"katz-pas-de-deux-v","title":"Pas de Deux V (Red Grooms and Liz Ross), 1994","description":"\u003cp\u003e\"Pas de Deux V (Red Grooms and Liz Ross)\" is a serigraph created by Alex Katz in 1994 for his \"Pas de Deux\" series. From the edition of 150, the artwork is signed 'Alex Katz' and annotated lower left. The artwork is framed in a contemporary black frame and has a framed size of 47.5 x 31.5\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThe images in the series are based on the artist’s monumental oil painting of the same name from 1983, now held by the Colby College Museum of Art in Maine.\u003c\/p\u003e\n\n\u003cp\u003eThe \"Pas de Deux\" series depicts five ‘power’ couples from the 1980s art world. In each couple, the women are wearing coats by the famous designer Norma Kamali while the men are in sharply tailored suits. The emphasis is on style with Katz’s trademark ‘cool’ obliterating any clues to meaning. Katz noted the importance of style over substance in his artistic expression stating, “Style and appearance are the things I’m more concerned about than what something means… I’d like to have style take the place of content, or the style be the content… I prefer it to be emptied of meaning, emptied of content.” (Richard Marshall. “Sources of Style” Exhibition Catalog, New York, Whitney Museum of American Art, Alex Katz, New York, 1986, p. 13).\u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":32675858088007,"sku":"GRKAT95051E","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/309_GRKAT95051E__P-Image_pas_de_deux_V_grkat95051E_nu0075.jpg?v=1759255853"},{"product_id":"and-then-a-deep-ocean-of-ultramarine","title":"And Then (A Deep Ocean of Ultramarine), 2013","description":"\u003cp\u003e\"And Then (A Deep Ocean of Ultramarine)\" is an offset lithograph with cold stamp created by Takashi Murakami in 2015. From the edition of 300, the artwork is signed and annotated lower right. The artwork is framed in a contemporary gold-tone frame and has a framed size of 32 x 32\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":32675630153799,"sku":"GRMUR201608","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/And_Then_A_Deep_Ocean_of_Ultramarine_GRMUR201608_NU0150_Pimage_ed_bl.jpg?v=1767197022"},{"product_id":"free","title":"Free, 2016","description":"\u003cp\u003e\"Free\" is an acrylic on canvas painting created by Robert Deyber in 2016. The artwork is signed 'DEYBER' lower left. The artwork ships framed in a contemporary black frame and the artwork has a framed size of 54.5 x 54.5\".\u003c\/p\u003e","brand":"Robert Deyber","offers":[{"title":"Default Title","offer_id":31686748241991,"sku":"ORDEY207716","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORDEY207716__P-Image_broken_english_free_ordey207716copy.jpg?v=1762379681"},{"product_id":"untitled-canary-yellow-and-black-butterfly-830","title":"Untitled (Canary Yellow and Black Butterfly 830), 2010","description":"\u003cp\u003e\"Untitled (Canary Yellow and Black Butterfly 830)\" is an offset lithograph created by Mark Grotjahn and Takashi Murakami in 2010. From the edition of 300, the artwork is signed by Mark Grotjahn and Murakami lower right. The artwork is framed in a contemporary white frame and has a framed size of 33.5 x 41.25\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":31796045905991,"sku":"GRGRO000830","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/untitled_canary_yellow_and_black_butterfly_830_grgro00830.jpg?v=1767193360"},{"product_id":"untitled-scarlet-lake-and-indigo-blue-butterfly-826","title":"Untitled (Scarlet Lake and Indigo Blue Butterfly 826), 2010","description":"\u003cp\u003e\"Untitled (Scarlet Lake and Indigo Blue Butterfly 826)\" is an offset lithograph created by Mark Grotjahn and Takashi Murakami in 2010. From the edition of 300, the artwork is signed by Mark Grotjahn and Murakami lower right. The artwork is framed in a contemporary white frame and has a framed size of 28.5 x 34\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":31796103512135,"sku":"GRGRO000826","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/untitled_scarlet_lake_and_indigo_blur_butterfly_826_grgro000826.jpg?v=1767193368"},{"product_id":"boudoir","title":"Boudoir, 1990","description":"\u003cp\u003e\"Boudoir\" is a serigraph created by Erté in 1990. The image is based on a design for Harper's Bazaar, November 1920. From the edition of 650, the artwork is estate stamped with the artist's signature lower right. The artwork is framed in a contemporary, black frame and has a framed size of 49 x 36.25\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Erté","offers":[{"title":"Default Title","offer_id":32496904798279,"sku":"GRERT199204","price":2875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRERT199204__P-Image_boudoir.jpg?v=1764974371"},{"product_id":"les-chasseurs","title":"Les Chasseurs, 1975","description":"\u003cp\u003e\"Les Chasseurs\" is a gouache painting on paper created by Erté in 1975. The artwork is signed 'Erté' lower center. The artwork ships framed in a classic, gold-tone frame and has a framed size of 24.5 x 20.25\".\u003c\/p\u003e","brand":"Erté","offers":[{"title":"Default Title","offer_id":32675808772167,"sku":"ORERT184700","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORERT184700__P-Image_LesChasseursOR-ERT-1847-00.jpg?v=1766592312"},{"product_id":"ou-est-le-jour-poemes-13","title":"Où est le Jour (Poèmes, #13), 1968","description":"\u003cdiv\u003e\u003cspan\u003e\"Où est le Jour (#13)\" from Marc Chagall's 'Poèmes', 1968. This artwork is a color woodcut on Rives wove paper from the edition of 238. The artwork is framed in a gold-tone acanthus leaf frame and has a framed size of 26.25 x 23\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn 1968, Marc Chagall completed his captivating suite ‘Poèmes,’ a portfolio of 24 original woodcuts paired with 24 poems he had written, a rare moment in his long career when word and image met on equal terms. The bold, dream-touched forms and vivid color of the prints reflect Chagall’s poetic imagination at full flowering, while the poems deepen the emotional landscape and invite quiet reflection. As Chagall’s granddaughter, Meret Meyer, wrote, the marriage of illustration and word in this work “opens unsuspected doors… where words fail and where the line is set free.” \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePublished in an exceptionally limited edition of just 238 sets by Éditions Gérald Cramer in Geneva, ‘Les Poèmes’ exemplifies the highest level of printmaking craftsmanship, rendered in woodcut on fine Rives or Japon paper. Chagall’s ‘Poèmes’ offer an opportunity to own an intimate masterpiece of modern printmaking – luminous, poetic, and alive. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(Translated from the original French text): \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWHERE IS THE DAY\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePassing a Jew with the face of Christ is going by\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHe shouts: plague on us\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLet us go hide in the grave\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBowed over we will battle\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA beggar runs with his cup\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWe only wanted to earn our living\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhere are you, God? Death is coming\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDescend and deliver us a sermon\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAn old man in his white shawl \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFalls with his book of psalms\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMisery flowers out form his eyes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGive him life back, my God\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHave pity. Lift up your people\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhere is the day when you chose them and blessed them\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhere is the dove of the Ark\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWhich opens the future to us\u003c\/span\u003e\u003c\/div\u003e","brand":"Marc Chagall","offers":[{"title":"13 x 10","offer_id":32556323799111,"sku":"WCCHAP013UC","price":4975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/WCCHAP013UC__P-Image_Ou_Est_Le_Jour_WCCHAP013UC_BN0173_sm.jpg?v=1768927375"},{"product_id":"flowerball-bright-red","title":"Flowerball: Bright Red, 2017","description":"\u003cp\u003e\"Flowerball: Bright Red\" is an offset lithograph created by Takashi Murakami in 2017. From the edition of 300, the artwork is signed and annotated lower right. The artwork is framed in a contemporary plexi-box frame and has a framed size of 31 x 31\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":32573098754119,"sku":"GRMUR201705","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/flowerball_bright_red_grmur201705.jpg?v=1600700767"},{"product_id":"untitled-1970-sf68-44","title":"Untitled (SF68-44), 1970","description":"\u003cp\u003e\"Untitled (SF68-44)\" is an acrylic on paper painting created by Sam Francis in 1970. The artwork is signed and dated 'Sam Francis 1970' on verso. The artwork ships framed in a custom, closed-corner, gold leaf frame and has a framed size of 50 x 36.5\".\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32678414155847,"sku":"FAFRA680044","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/168_FAFRA680044__P-Image_untitled_1970_fafra680044_or0001.jpg?v=1760632768"},{"product_id":"liquid-and-gaseous-television-imaginations-and-objects-of-the-future","title":"Liquid and Gaseous Television (Imaginations and Objects of the Future), 1975","description":"\u003cp\u003e\"Liquid and Gaseous Television\" is a lithograph and etching with collage created by Salvador Dalí for his series 'Imaginations and Objects of the Future' in 1975. From the edition of 600, the artwork is signed 'Dalí' lower right and annotated lower left. The artwork is framed in a custom, ornate, gold-tone frame and has a framed size of 33.5 x 41.25\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eDrawing on his scientific studies, Salvador Dalí sought to envision the future of both Earth and humankind in “Imaginations and Objects of the Future”, revealing his enduring fascination with invention, science, and the evolving human imagination. Rather than attempting literal prediction, Dalí approaches the future symbolically. Familiar motifs, distorted figures, floating objects, and precise architectural forms, are reconfigured to suggest transformation, innovation, and the instability of reality itself.\u003c\/p\u003e\n\n\u003cp\u003eIn 2004, the Dallas Museum of Art exhibited the portfolio from its permanent collection in celebration of Dalí’s 100th birthday. The museum described the series as a particularly compelling example of how Dalí’s imaginative world evolved as he entered both a more religious and a more scientific phase of his career. After 1960, Dalí became increasingly preoccupied with mortality, nuclear warfare, technological advancement, and his own legacy. Upon the portfolio’s release, art critic Alan Artner wrote in the “Chicago Tribune” that the series demonstrated Dalí’s renewed engagement with the Old Masters, particularly Leonardo da Vinci’s sketchbooks, speculating that Dalí sought to surpass even da Vinci’s inventions through the visionary devices imagined in these works.\u003c\/p\u003e\n\n\u003cp\u003eThe “Imaginations and Objects of the Future” series consists of ten lithographs, five of which have collage elements. “Liquid and Gaseous Television”  is one of the works featuring collage. Dalí’s television of the future eliminated the need for a physical devise of any kind. The Dallas Museum of Art interpreted it as follows:\n\u003cbr\u003eThe liquid and gaseous TV utilizes the phenomena of watered patterns, of phosphorescence, of iridescence in emulsions which are capable of refracting light. Hence, by means of chemistry, we can introduce liquids to gaseous surfaces. Thus it becomes capable of receiving holographic reconstructions. This is the future of television. No physical medium is required, merely liquids and gasses. With this invention, it is possible to project in the heavens gigantic images-perhaps Mae West-for all people to see.\u003c\/p\u003e","brand":"Salvador Dalí","offers":[{"title":"Default Title","offer_id":32706217345095,"sku":"LTDALF010SC","price":11850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTDALF010SC__P-Image_liquid_and_gaseous_television_ltdalf010sc_nui005_215169a4-b2d3-4634-945e-a34c4f9eb1c9.jpg?v=1767120757"},{"product_id":"opening-night-1","title":"Opening Night, 2014","description":"\u003cp\u003e\"Opening Night\" is an oil on masonite board painting created by Douglas Hofmann in 2014. The painting is signed 'Hofmann' lower right. The artwork ships framed in a custom ornate black and gold tone frame and has a framed size of 59 x 46\".\u003c\/p\u003e","brand":"Douglas Hofmann","offers":[{"title":"Default Title","offer_id":39256907579463,"sku":"ORHFM201402","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/DouglasHofmann-OpeningNight.jpg?v=1629831430"},{"product_id":"we-are-the-jocular-clan-10","title":"We Are The Jocular Clan #10, 2018","description":"\u003cp\u003e\"We Are the Jocular Clan 10\" is an offset lithograph created by Takashi Murakami for his 2018 series \"We Are the Jocular Clan\". From the edition of 300, the artwork is signed and annotated lower right. The artwork is framed in a contemporary plexi-box frame and has a framed size of 23 x 23\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":39438216855623,"sku":"GRMUR201816","price":5850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/we_are_the_jocular_clan_10_grmur201816_nu0150_2-1.jpg?v=1628442995"},{"product_id":"reversal-grey-marilyn-from-warhol","title":"Reversal Grey Marilyn (Pictures of Diamond Dust), 2003","description":"\u003cdiv\u003e\u003cspan\u003e\"Reversal Grey Marilyn\" is a chromogenic print created by Vik Muniz in 2003 for his 'Pictures of Diamond Dust' series. The artwork is signed and numbered on label affixed to reverse of the mount. The artwork is framed in a contemporary black frame and has a framed size of 41.5 x 38.25\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVik Muniz’s \"Reversal Grey Marilyn (Pictures of Diamond Dust \/ After Warhol)\" brings together several of the artist’s most compelling strengths: technical ingenuity, conceptual wit, and a deep understanding of how famous images live in collective memory. Created in 2003 as a chromogenic print in an edition of 5 plus 3 artist’s proofs, the work revisits one of the most recognizable subjects in postwar art: Andy Warhol’s Marilyn Monroe.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMuniz is widely known for constructing images from unexpected materials—sugar, chocolate, pigment, dust, thread, garbage, and diamond dust—then photographing the finished composition. His work invites a double act of looking. From a distance, the viewer recognizes an iconic image; up close, the image breaks down into material, texture, surface, and light. That tension between recognition and discovery is central to his practice.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIn \"Reversal Grey Marilyn,\" Muniz transforms Warhol’s famous image through a shimmering field of grey, white, and black. The “reversal” evokes the tonal language of a photographic negative, draining the image of Pop color and replacing it with a cooler, more reflective atmosphere. Marilyn appears both immediate and elusive: a face we know instantly, yet one that seems to flicker between glamour, memory, and abstraction.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe use of diamond dust is especially meaningful. It connects the work to sparkle, celebrity, luxury, and spectacle, all ideas already embedded in Warhol’s Marilyn. Muniz heightens that visual seduction while also making us aware of how it is constructed. The portrait dazzles, but it also asks us to consider why certain images continue to hold power long after their original moment has passed.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMarilyn Monroe has long stood at the intersection of beauty, fame, tragedy, and media obsession. Warhol transformed her into an emblem of celebrity as image: endlessly reproduced, instantly recognizable, and inseparable from modern visual culture. Muniz revisits that legacy with intelligence and restraint, turning Marilyn into something luminous and ghostlike, suspended between Pop icon and photographic apparition.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWithin Muniz’s broader body of work, \"Reversal Grey Marilyn\" occupies a desirable position. It benefits from a strong date, a recognized series, a low edition, a highly legible subject, and a direct connection to Warhol and Pop Art. The work has immediate wall presence, while its grey tonal range gives it a refined and versatile character.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eUltimately, \"Reversal Grey Marilyn\" is a work about the endurance of images. Constructed from sparkle and shadow, surface and substance, it captures Marilyn not as a person but as myth: reproduced, reversed, glittering, and continually renewed through the act of looking.\u003c\/span\u003e\u003c\/div\u003e","brand":"Vik Muniz","offers":[{"title":"Default Title","offer_id":39438220820551,"sku":"PTMUN200301","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/reversal_grey_marilyn_ptmun200305_nu0004_ab467a47-dc22-4cbd-b6ad-fd73fa54f8c3.jpg?v=1767192668"},{"product_id":"and-then-yellow","title":"And Then Yellow, 1999","description":"\u003cp\u003e\"And Then Yellow\" is a silkscreen created by Takashi Murakami in 1999. From the edition of 50, the artwork is signed and dated 'Takashi '99' and annotated on verso. The artwork is framed in a white contemporary frame and has a framed size of 23.75 x 23.75\". The artwork is shipped framed and is accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":39570619990087,"sku":"GRMURSS9903","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRMURSS9903__P-Image_and_then_yellow_grmurss9903_nu0045.jpg?v=1738099899"},{"product_id":"the-bright-side-ii","title":"The Bright Side II, 2022","description":"\u003cp\u003e\"The Bright Side II\" is an oil and mixed media on canvas painting created by François Fressinier in 2022. The artwork is signed 'FRESSINIER' lower left. The artwork ships framed in a contemporary white frame and has a framed size of 43.5 x 34.5\".\u003c\/p\u003e","brand":"François Fressinier","offers":[{"title":"Default Title","offer_id":39726847983687,"sku":"ORFRE202211","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORFRE202211__P-Image_the_bright_side_II_orfre202211_or0001.jpg?v=1760637691"},{"product_id":"and-then-x-6-red-dots-the-superflat-method","title":"And Then x 6 (Red Dots:The Superflat Method), 2015","description":"\u003cp\u003e\"And Then x 6 (Red Dots:The Superflat Method)\" is an offset lithograph created by Takashi Murakami in 2015. From the edition of 300, the artwork is signed and annotated lower right. The artwork is framed in a contemporary gold-tone frame and has a framed size of 33.25 x 33.25\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":39735245865031,"sku":"GRMUR201522","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/and_then_x6_red_dots_the_superflat_meathod_grmur201522_ed_bl.jpg?v=1767196260"},{"product_id":"the-arrival-of-spring-1961-daphnis-chloe-m-314","title":"The Arrival of Spring (Daphnis \u0026 Chloé, M.314), 1961","description":"\u003cp\u003e\"The Arrival of Spring (M.314)\" from Marc Chagall's famed \"Daphnis \u0026amp; Chloe\" suite is a lithograph on paper, signed 'Marc Chagall' lower right and annotated lower left. From the edition of 60 (there were also several artist proofs, EC proofs and a B.A.T.). The artwork is framed in a custom closed-corner gold leaf frame and has a framed size of 30 x 38\". The artwork ships framed and is accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003e\"It was the beginning of spring and all the flowers were in bloom, in the woods, in the meadows, and on the mountains.  Already there were gambollings of newborn lambs. The lambs were gambolling on the mountains, the bees were buzzing in the meadows, and the birds were filling the thickets with enchanting song.\"\u003c\/p\u003e\n\n\u003cp\u003eMore than sixty years ago, Marc Chagall embarked on what would become the greatest achievement in the history of color lithography – the creation of artworks to pair with a translation of Longus’s pastoral romance \"Daphnis \u0026amp; Chloé\". The resulting suite of forty-two color lithographs celebrates the key elements of the story in radiant color, sometimes bold, sometimes ethereal, but always stunning in its lyrical beauty.  In the novel’s prologue, Longus credits paintings famous on the Island of Lesbos as his inspiration for writing the classic tale down for posterity. Nearly two thousand years later, Chagall takes us back in time to that original visual homage to the tale, giving us his interpretation of something long lost to us. Chagall was drawn to Longus’s tale because it represented a raison d’être, an elucidation of the primary elements of human existence. This essential quality of the narrative, combined with Chagall’s level of artistic skill resulted in something both wondrous and truly unique in the history of 20th century art and printmaking.\u003c\/p\u003e\n\n\u003cp\u003eAs artistic endeavor and achievement \"Daphnis and Chloé\" stands as one of Chagall’s greatest feats, and definitively his greatest in printmaking. For collectors, these prints hold everything that is dear – the expressive and extravagant color, the dedication to the human condition and community, and perhaps most particular to Chagall, his love of “love.”  The fact that he conceived and achieved this work at the beginning of his second great love affair is no coincidence. At that moment, he saw the world in brilliant color again and he had the mastery of many years to bring it to life in way that we’d never seen before.  Chagall’s \"Daphnis and Chloé\" is truly a bit of magic and a singular work of art that still stands true more than sixty years later.\u003c\/p\u003e","brand":"Marc Chagall","offers":[{"title":"Default Title","offer_id":44280716329277,"sku":"LTCHAD314SC","price":168500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/LTCHAD314SC__P-Image_LTCHAD314SC_The_Arrival_of_Spring_nu0036_frame-crop.jpg?v=1760547728"},{"product_id":"the-initials-bb","title":"The Initials BB, 2023","description":"\u003cp\u003e\"The Initials BB\" is an oil and mixed media on canvas painting created by François Fressinier in 2023. The artwork is signed 'FRESSINIER' lower left. The artwork ships framed in a contemporary white frame and has a framed size of 38.75 x 38.75\".\u003c\/p\u003e","brand":"François Fressinier","offers":[{"title":"Default Title","offer_id":46047463145789,"sku":"ORFRE202311","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORFRE202311__P-Image_The_Initials_BB_orfre202311_or0001.jpg?v=1760637606"},{"product_id":"untitled-1989-pop-shop-iv-d","title":"Untitled (Pop Shop IV - D), 1989","description":"\u003cdiv\u003e\u003cspan\u003e\"Untitled (Pop Shop IV - D)\" is a silkscreen on wove paper created by Keith Haring in 1989 for his 'Pop Shop IV' series. From the edition of 250, the artwork is signed and dated 'K. Haring '89' and annotated lower right vertical. The artwork is framed in a contemporary black frame and has a framed size of 21.5 x 24.5\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKeith Haring’s \"Pop Shop\" series stands among the most emblematic achievements of his career, encapsulating both his visual language and his philosophical commitment to accessibility. Initiated in the mid-1980s and culminating in \"Pop Shop IV\" in 1989, the series reflects Haring’s desire to dissolve the barriers between high art and popular culture. Named after his retail space in downtown New York, the Pop Shop was conceived as an extension of his practice, a place where art could be encountered, purchased, and lived with by a broad public. The prints that bear its name function as both artworks and democratic objects, reiterating Haring’s belief that art should exist beyond the confines of the gallery.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\"Pop Shop IV,\" produced in the final year of Haring’s life, represents a mature distillation of his iconography. Executed in screenprint, the four-print series features his signature vocabulary of simplified figures, bold contour lines, and radiant energy marks. These compositions are deceptively direct. Beneath their clarity lies a complex symbolic system that addresses themes of life, death, transcendence, and human connection. At this late stage, Haring’s work achieves a heightened balance between joy and urgency, reflecting both the vitality of his imagery and the personal and social challenges that informed his final years.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\"Pop Shop IV-D\" centers on another of Haring’s most iconic motifs: the radiant baby. In this composition, two figures lift the child upward, their bodies forming a supportive structure beneath it. The infant, surrounded by emanating lines, appears as a source of pure energy and light. Throughout Haring’s oeuvre, the radiant baby functions as a symbol of life, potential, and uncorrupted existence. It is both a literal representation of birth and a more abstract embodiment of creative force.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe act of lifting the child introduces themes of care, collective responsibility, and elevation. The figures do not simply present the baby; they uphold it, suggesting that life itself is sustained through communal effort. This imagery resonates with Haring’s broader commitment to social engagement and his belief in the power of unity. The composition is structurally simple, yet its meaning is expansive. The upward gesture implies hope and continuity, even in a moment marked by uncertainty and loss.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe works within \"Pop Shop IV\" articulate a vision of interconnectedness that is central to Haring’s legacy. His figures, stripped of individual identity, operate as universal archetypes. They invite recognition rather than distance, encouraging viewers to see themselves within the imagery. The repetition of motifs such as the angel and the radiant baby creates a symbolic language that is immediately legible yet open to interpretation.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAs both a continuation of the Pop Shop ethos and a culminating statement of his artistic vision, \"Pop Shop IV\" occupies a significant place within Haring’s oeuvre. It embodies his insistence that art can be at once accessible and profound, joyful and deeply engaged with the realities of its time. Through these images, Haring offers not only a reflection of the late twentieth century but also a lasting meditation on life, connection, and transcendence.\u003c\/span\u003e\u003c\/div\u003e","brand":"Keith Haring","offers":[{"title":"Default Title","offer_id":46047463244093,"sku":"GRHARPSIVD","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/Untitled_Pop_Shop_IV-D_1989_GRHARPSIVD_NU0065_sm_ed_bl.jpg?v=1784572385"},{"product_id":"untitled-sfm-86-239-1986","title":"Untitled (SFM 86-239), 1986","description":"\u003cp\u003e\"Untitled (SFM 86-239)\" is a monotype on wove paper created by Sam Francis in 1986. The artwork is signed with artists stamped-signature and estate ink stamp on verso. The artwork ships framed in a contemporary white frame and has a framed size of 44.5 x 52.5\".\u003c\/p\u003e\n\n\u003cp\u003eSam Francis stands among the most significant American abstract painters of the postwar era. Though often linked to Abstract Expressionism, he forged a distinct path shaped by French modernism, Zen philosophy, and an international sensibility developed through years in Paris, Tokyo, Los Angeles, and New York. Across four decades, Francis fused color field painting and gestural abstraction into a visual language that was both expansive and deeply personal.\u003c\/p\u003e\n\n\u003cp\u003eAn early and dedicated experimenter in printmaking, Francis treated the monotype not as a reproducible medium but as a unique extension of painting. “Untitled (SFM 86-239),” created in 1986, exemplifies this late period vitality and technical boldness. Executed on a commanding scale of 40 by 48 inches, the work asserts itself with a jubilant, multifaceted surface.\u003c\/p\u003e\n\n\u003cp\u003eThe composition features large, cut out like shapes that recall the organic exuberance of Henri Matisse’s late paper collages. These biomorphic forms interact with spontaneous splashes and flung gestures of saturated color, conveying urgency and improvisation. A striking lip shaped form emerges within the abstraction, suggesting a subtle eroticism or figural presence. This motif introduces a sensuous undertone, a fleeting trace of the human body within the field of color.\u003c\/p\u003e\n\n\u003cp\u003eAs a monotype, the work is singular. The painted imagery was transferred from plate to paper in a single impression, giving it the immediacy of a canvas while preserving the experimental edge of printmaking. Francis approached the plate as an arena for layered gesture and iconography, allowing structure and spontaneity to coexist. The white ground remains active, balancing the bold shapes and chromatic bursts with intervals of space and breath.\u003c\/p\u003e\n\n\u003cp\u003eThe interplay of bold form, gesture, and figural suggestion situates the work at the intersection of abstraction and modernist tradition. Francis’s admiration for Matisse’s balance of color and negative space is evident, yet the energy here is distinctly his own.\u003c\/p\u003e\n\n\u003cp\u003e“Untitled (SFM 86-239)” stands as a powerful example of Francis’s late career innovation, uniting painterly intensity with the singularity of monotype, and affirming his enduring influence within postwar abstraction.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":50539434901821,"sku":"FAFRA860239","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA860239__P-Image_Untitled_1986_FAFRA860239_OR0001_sm_4fdd819f-94d9-4ef2-af1d-9e4ebd5ba8d7.jpg?v=1753992052"}],"url":"https:\/\/martinlawrence.com\/collections\/april.oembed","provider":"Martin Lawrence Galleries","version":"1.0","type":"link"}