{"title":"Spring 2026 - Abstract Continuum: From Gesture to Geometry","description":"","products":[{"product_id":"083r-short_squeeze_aside-2016","title":"083r (short_squeeze_aside), 2016","description":"\u003cp\u003e\"083r (short_squeeze_aside)\" is an acrylic and urethane on etched acrylic panel painting created by Darren Goins in 2016. The artwork is signed 'darren goins' and dated 2016 on verso. 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The artwork ships framed in a custom white metal frame and has a framed size of 24.5 x 20.75\".\u003c\/p\u003e","brand":"Darren Goins","offers":[{"title":"Default Title","offer_id":32411794047047,"sku":"ORGOI201805","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Darren_Goins_-_122r_clove_hitch_2018.jpg?v=1579805056"},{"product_id":"bright-web-1973-sf73-5","title":"Bright Web (SF73-5), 1973","description":"\u003cp\u003e\"Bright Web (SF73-5)\" is an acrylic on paper painting created by Sam Francis in 1973. The artwork is signed and dated 'Sam Francis 1973 Tokyo' verso. The artwork ships framed in a custom, closed-corner, gold leaf frame and has a framed size of 30.75 x 39\".\u003c\/p\u003e\n\n\u003cp\u003eIn \"Bright Web (SF73-5),\" Sam Francis orchestrates a dazzling network of color and motion, a luminous tangle of red, blue, yellow, and green overlaid with rhythmic bursts of black and violet. Painted in 1973, this work marks a critical moment of renewal and personal reckoning, when color, psychology, and gesture converged into one of the most dynamic phases of his career.\u003c\/p\u003e\n\n\u003cp\u003eFrancis had long been an artist of global reach and introspective depth. A key figure in American abstraction, he lived and worked across Paris, California, and Tokyo, absorbing Eastern and Western influences alike. By the early 1970s, he had begun studying Jungian psychology to better understand his vivid dreams and the subconscious images that surfaced in his art. These investigations brought focus to the “center,” the psychological root of the self, a concept that is deeply embedded in \"Bright Web.\" The title itself evokes both complexity and clarity: a radiant, emotional structure radiating outward from a concentrated core.\u003c\/p\u003e\n\n\u003cp\u003eThis painting’s vibrant palette reflects the revitalization Francis experienced during his time in Japan. Immersed in the visual energy of Tokyo in late 1973, he re-embraced saturated hues and spontaneous movement. Here, color does not passively fill space — it collides, fractures, and erupts. Movement travels from the red core outward, with each hue asserting itself while still harmonizing within the whole. The black and violet splatters do not dampen the brightness; they give it contrast, grounding the composition with intensity.\u003c\/p\u003e\n\n\u003cp\u003eFrancis once described painting as an act of transmission — a vessel for something larger. In \"Bright Web,\" that transmission feels both urgent and sublime. The painting becomes a map of internal states, a web of thought, emotion, and dream. Through his rare understanding of color and its psychological resonance, Francis offers viewers not just an image, but an experience.\u003c\/p\u003e\n\n\u003cp\u003eFor collectors, \"Bright Web (SF73-5)\" is a striking and historically resonant example of Francis’s mature vision — a work of chromatic vitality and spiritual weight, created at a pivotal moment in his artistic evolution. It is as bold as it is introspective, as grounded as it is transcendent, a true embodiment of what makes Sam Francis one of the most compelling voices in 20th-century abstraction.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32412083126343,"sku":"FAFRA730500","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/166_FAFRA730500__P-Image_francis_bright_web_1973_sf735_fafra730500sm.jpg?v=1760632090"},{"product_id":"untitled-canary-yellow-and-black-butterfly-830","title":"Untitled (Canary Yellow and Black Butterfly 830), 2010","description":"\u003cp\u003e\"Untitled (Canary Yellow and Black Butterfly 830)\" is an offset lithograph created by Mark Grotjahn and Takashi Murakami in 2010. From the edition of 300, the artwork is signed by Mark Grotjahn and Murakami lower right. The artwork is framed in a contemporary white frame and has a framed size of 33.5 x 41.25\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":31796045905991,"sku":"GRGRO000830","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/untitled_canary_yellow_and_black_butterfly_830_grgro00830.jpg?v=1767193360"},{"product_id":"untitled-scarlet-lake-and-indigo-blue-butterfly-826","title":"Untitled (Scarlet Lake and Indigo Blue Butterfly 826), 2010","description":"\u003cp\u003e\"Untitled (Scarlet Lake and Indigo Blue Butterfly 826)\" is an offset lithograph created by Mark Grotjahn and Takashi Murakami in 2010. From the edition of 300, the artwork is signed by Mark Grotjahn and Murakami lower right. The artwork is framed in a contemporary white frame and has a framed size of 28.5 x 34\". The artwork ships framed and accompanied by a certificate of authenticity.\u003c\/p\u003e","brand":"Takashi Murakami","offers":[{"title":"Default Title","offer_id":31796103512135,"sku":"GRGRO000826","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/untitled_scarlet_lake_and_indigo_blur_butterfly_826_grgro000826.jpg?v=1767193368"},{"product_id":"untitled-1980-sf80-107","title":"Untitled (SF80-107), 1980","description":"\u003cp\u003e\"Untitled (SF80-107)\" is an acrylic on paper painting created by Sam Francis in 1980. The artwork is signed and dated 'Sam Francis 1980' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 20.75 x 26.75\". \u003c\/p\u003e\n\n\u003cp\u003eIn \"Untitled (SF80-107),\" Sam Francis propels his long-standing grid motif into a new chromatic frontier. Executed in 1980, this acrylic on paper bursts with layered fields of violet, green, red, and light washes of blue. Unlike his earlier, more rigid compositions of the 1970s — where black lattices dominated the visual architecture — this work dissolves those boundaries. The grid remains, but only as a ghost, veiled beneath the exuberant interplay of luminous, organic color.\u003c\/p\u003e\n\n\u003cp\u003eBy the 1970s, Francis was immersed in the formal potential of the grid. Early in the decade, these structures were sometimes dense and somber, with black underpinnings holding the composition like scaffolding. Vivid bursts of color appeared, but always in service to the geometry beneath. By 1980, however, \"Untitled (SF80-107)\" reveals that Francis had begun to liberate color from the framework altogether.\u003c\/p\u003e\n\n\u003cp\u003eIn this late “grid” painting, the once-dominant lattice has all but disappeared, consciously painted over. Francis lets the color take control. Pools of violet and teal hover beside streaks of red, blue, and even soft pink, creating a visual field that is rhythmically structured yet full of improvisational vitality. These forms don’t follow rigid paths; they interact freely, pulsing across the surface like cellular movement or musical notes in harmonic dissonance. There’s a palpable sense of transformation in this piece, not only in palette but in intent. \"Untitled (SF80-107)\" marks a turning point in Francis’s career, when the grid became less about containment and more about flow, transition, and emotional intensity. The fading grid, the swelling fields of radiant pigment, and the sense of structural release signal an artist moving confidently into a new visual language. For collectors seeking not only beauty but historical and conceptual significance, this is a compelling and essential acquisition.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":32593869307975,"sku":"FAFRA800107","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/295_FAFRA800107__P-Image_untitled_1980_sf80107_fafra800107.jpg?v=1760633240"},{"product_id":"120r-picnic-handle-picked-2018","title":"120r (picnic handle picked), 2018","description":"\u003cp\u003e\"120r (picnic handle picked)\" is an acrylic and urethane on etched acrylic panel painting created by Darren Goins in 2018. The artwork is signed 'darren goins' and dated 2018 on verso. 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The artwork ships framed.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"24.25 x 29.75","offer_id":32569843843143,"sku":"FAFRA830338","price":28850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/products\/Sam_Francis_-_Untitled_1983_SFM83-338.jpg?v=1600461278"},{"product_id":"004r-easy-secure-fall-2017","title":"004r (easy secure fall), 2017","description":"\u003cp\u003e\"004r (easy secure fall)\" is an acrylic and urethane on etched acrylic panel painting created by Darren Goins in 2017. The artwork is signed 'darren goins' and dated 2017 on verso. The artwork ships framed in a custom white metal frame and has a framed size of 44.5 x 40.5\".\u003c\/p\u003e","brand":"Darren Goins","offers":[{"title":"44 x 40","offer_id":32569845743687,"sku":"ORGOI201701","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/004r_easy_secure_fall__2017_pimage_sm.jpg?v=1767976071"},{"product_id":"untitled-1970-sf68-44","title":"Untitled (SF68-44), 1970","description":"\u003cp\u003e\"Untitled (SF68-44)\" is an acrylic on paper painting created by Sam Francis in 1970. The artwork is signed and dated 'Sam Francis 1970' on verso. 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The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"18 x 14","offer_id":32776242593863,"sku":"GRKAT199202","price":6950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/grakat199202_fog_sm.jpg?v=1767130838"},{"product_id":"night-northern-landscapes","title":"Night (Northern Landscapes), 1992","description":"\u003cp\u003e\"Night\" is a woodcut print created by Alex Katz for his 1992 triptych series 'Northern Landscapes'. From the edition of 115, the artwork is signed 'Alex Katz' and annotated lower left. The image size is 18 x 14\" and the artwork is framed in a contemporary black frame. The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"18 x 14","offer_id":32776242626631,"sku":"GRKAT199203","price":6950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/Night360dpi.jpg?v=1767130911"},{"product_id":"bright-light-northern-landscapes","title":"Bright Light (Northern Landscapes), 1992","description":"\u003cp\u003e\"Bright Light\" is a woodcut print created by Alex Katz for his 1992 triptych series 'Northern Landscapes'. From the edition of 115, the artwork is signed 'Alex Katz' and annotated lower left. The artwork is framed in a contemporary black frame and has a framed size of 31.5 x 27.5\". The artwork ships framed and accompanied by a certificate of authenticity. \u003c\/p\u003e\n\n\u003cp\u003eThis work is published by Chalk \u0026amp; Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.\u003c\/p\u003e","brand":"Alex Katz","offers":[{"title":"Default Title","offer_id":32776242692167,"sku":"GRKAT199204","price":6950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/GRKAT199204__P-Image_BrightLight360dpi.jpg?v=1761330868"},{"product_id":"thundercloud","title":"Thundercloud, 2021","description":"\u003cp\u003e\"Thundercloud\" is an acrylic on canvas painting created by Robert Standish in 2021. The artwork is signed, titled and dated on verso. The artwork ships framed in a contemporary white frame and has a framed size of 49.25 x 37.25\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":39478962487367,"sku":"ORSTA202117","price":15850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA202117__P-Image_thundercloud_orsta202117_or0001.jpg?v=1767128412"},{"product_id":"untitled-sfp94-8","title":"Untitled (SFP94-8), 1994","description":"\u003cp\u003e\"Untitled (SFP94-8)\" is an acrylic on canvas laid on board created by Sam Francis in 1994. The artwork is estate stamped on verso. The artwork ships framed in a contemporary white frame and has a framed size of 16.5 x 20\".\u003c\/p\u003e\n\n\u003cp\u003eIn 1994, the final year of his life, Sam Francis created a remarkable body of work marked by intensity, urgency, and radiant color. \"Untitled (SFP94-8)\" emerges from this profound late period as a luminous and deeply personal statement. Like others in the series, it serves as both testament and legacy: to the vitality of an artist who, despite immense physical adversity, created with a force that transcended the frailty of his body and revealed the full power of his inner world.\u003c\/p\u003e\n\n\u003cp\u003eSaturated blues, fluorescent magentas and vibrant greens hover and flare against the canvas, their intensity heightened by areas of bright white open space. The chromatic relationships feel less confrontational than atmospheric — as if the colors are suspended in motion, drifting, expanding, and subtly interpenetrating. Organic forms echo loosely gridded structures, but the geometry never fully settles; it flickers between order and dissolution.\u003c\/p\u003e\n\n\u003cp\u003eThe splatters and bleeding edges suggest immediacy, yet they carry the assurance of a lifetime’s mastery. Francis’s handling of acrylic here is supple and deliberate. Pigment pools and thins; transparency meets saturation in delicate equilibrium. As William C. Agee observed of Francis’s work, color possesses “expressive and psychic power” — and in \"Untitled (SFP94-8),\" that power feels inward, meditative, almost cosmic.\u003c\/p\u003e\n\n\u003cp\u003eThe late paintings move abstraction into metaphysical territory, and this canvas feels particularly untethered. The absence of a fixed center invites contemplation rather than confrontation. Instead of anchoring the viewer, the composition opens outward, evoking a sense of boundlessness. It reads as a distilled reflection — a painting less about structure than about sensation, perception, and interior space.\u003c\/p\u003e\n\n\u003cp\u003eFrancis’s intimacy with his medium remained unwavering to the end. His sensitivity to opacity, layering, and surface tension is evident in every passage of paint. \"Untitled (SFP94-8)\" is not simply a late work; it is a summation. It speaks quietly yet powerfully of endurance, transformation, and the inexhaustible emotional language of color.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":39570618122311,"sku":"FAFRA940008","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA940008__P-Image_untitled_sfp_94-8_fafra940008_or0001.jpg?v=1760633675"},{"product_id":"heatscape","title":"Heatscape, 2022","description":"\u003cp\u003e\"Heatscape\" is an acrylic on canvas painting created by Robert Standish in 2022. 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The artwork ships framed and is accompanied by a certificate of authenticity. \u003cbr\u003e\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":45539436495165,"sku":"AQFRA0I48SC APUN01","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/AQFRA0I48SC__P-Image_Untitled_SFE-015_AQFRA0I48SC_APUN01.jpg?v=1760633449"},{"product_id":"beautiful-elephant-in-a-tutu-painting-2007","title":"Beautiful Elephant in a Tutu Painting, 2007","description":"\u003cp\u003e\"Beautiful Elephant in a Tutu Painting\" is a household gloss on canvas painting created by Damien Hirst in 2007. The artwork is signed, titled and dated '\"Beautiful Elephant in a Tutu Painting\" 'Damien Hirst 2007' on verso, signed again 'Damien Hirst' on the stretcher. The artwork ships framed in a contemporary white frame and has a framed size of 39.5 x 39.5\".\u003c\/p\u003e\n\n\u003cp\u003eDamien Hirst’s “Beautiful Elephant in a Tutu Painting, 2007” belongs to his iconic Spin Paintings series, a body of work that merges fairground spectacle with the legacy of postwar abstraction. Each title in the series begins with “Beautiful” and ends with “Painting,” a framing that is both ironic and pointed, reflecting Hirst’s enduring engagement with language, authorship, and the construction of value.\u003c\/p\u003e\n\n\u003cp\u003eHirst first encountered spin painting as a child at a London fair. Decades later, he transformed that memory into a rigorous artistic procedure. Using a motorized turntable, he applies household gloss paint to a rapidly rotating canvas. Centrifugal force drives the pigment outward, forming concentric rings, scalloped edges, and layered veils of color. While Hirst selects the palette and sequence, the physics of motion completes the image. The result is a collaboration between artist and machine, intention and chance.\u003c\/p\u003e\n\n\u003cp\u003eIn “Beautiful Elephant in a Tutu Painting,” saturated pinks ripple across the surface in radiating arcs that evoke the frilled volume of a dancer’s skirt. The glossy enamel creates a reflective, almost liquid sheen, intensifying the chromatic impact. Within the spinning field, a blue elephant appears, suggested through the flow of pigment rather than explicitly drawn. Its elongated trunk seems to sweep across the composition, emerging from abstraction like a fleeting apparition. The image oscillates between figuration and pure motion, reinforcing the work’s playful ambiguity.\u003c\/p\u003e\n\n\u003cp\u003eThe Spin Paintings occupy a distinctive place in Hirst’s oeuvre. Unlike his vitrines or spot paintings, which often confront mortality and systems of order, the spins emphasize velocity, sensation, and the material pleasure of paint. Yet beneath their exuberance lies a conceptual rigor. By delegating part of the mark making to mechanical force, Hirst questions traditional notions of authorship and control. Beauty becomes the product of repetition, variation, and surrender to movement.\u003c\/p\u003e\n\n\u003cp\u003eExecuted in household gloss, the surface gleams with intensity, capturing ambient light and heightening the painting’s object presence. “Beautiful Elephant in a Tutu Painting, 2007” exemplifies Hirst’s ability to fuse spectacle with inquiry, transforming a childhood amusement into a meditation on chance, image, and the theatrical power of abstraction.\u003c\/p\u003e","brand":"Damien Hirst","offers":[{"title":"Default Title","offer_id":45672855634237,"sku":"FAHIS200703","price":485000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/088_FAHIS200703__P-Image_BeautifulElephantinaTutu.jpg?v=1738878944"},{"product_id":"ode-to-energy","title":"Ode to Energy, 2023","description":"\u003cp\u003e\"Ode to Energy\" is an acrylic on canvas painting created by Robert Standish in 2023. 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The artwork ships framed in a contemporary white frame and has a framed size of 86.5 x 91\". \u003c\/p\u003e\n\n\u003cp\u003eDamien Hirst (b. 1965) is one of the most influential figures to emerge from the Young British Artists in late twentieth century London. Throughout his career, he has fused conceptual inquiry with visual immediacy, exploring mortality, science, belief, and the aesthetics of display. From vitrines and medicine cabinets to monumental installations, Hirst has consistently examined systems that promise order and certainty.\u003c\/p\u003e\n\n\u003cp\u003eAmong his most enduring bodies of work are the Spot Paintings, begun in 1986 and developed over decades into a rigorous exploration of color, repetition, and seriality. “Aminobenzoyl Hydrazide, 2008” belongs to this celebrated series and is documented in “The Complete Spot Paintings 1986–2011.” The title, like others in the series, is drawn from pharmaceutical compounds listed in scientific reference manuals, reinforcing Hirst’s parallel between artistic production and laboratory precision.\u003c\/p\u003e\n\n\u003cp\u003eExecuted in household gloss on canvas and measuring 62 by 86 inches, the work presents a grid of evenly spaced, multicolored circles set against a pristine white ground. Sixteen vertical rows intersect with twenty-two horizontal rows, forming a disciplined matrix of uniform dots. Each circle is identical in size yet distinct in hue, producing a vibrant chromatic field within a strictly regulated structure.\u003c\/p\u003e\n\n\u003cp\u003eThe Spot Paintings are not merely decorative patterns. Hirst conceived them as an “endless series,” mirroring the systematic methodologies of pharmaceutical research. By eliminating visible brushwork and emphasizing mechanical clarity, he sought to remove overt traces of the artist’s hand. At the same time, the interplay of color generates optical vitality and subtle variation. The tension between industrial neutrality and sensory exuberance lies at the heart of their impact.\u003c\/p\u003e\n\n\u003cp\u003eThe series has achieved iconic status within contemporary art, functioning as a signature motif comparable to Warhol’s soup cans or Judd’s stacks. In “Aminobenzoyl Hydrazide,” repetition becomes both meditation and critique, reflecting a culture invested in classification, technology, and the promise of perfect systems. 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The artwork ships framed in a contemporary white frame and has a framed size of 41.5 x 31.5\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":48109420937533,"sku":"ORSTA2023104","price":10850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA2023104__P-Image_Blue_Carbon_ORSTA2023104_or0001_Pimage.jpg?v=1767128765"},{"product_id":"flame-for-winter","title":"Flame for Winter, 2023","description":"\u003cp\u003e\"Flame for Winter\" is an acrylic on canvas painting created by Robert Standish in 2023. The artwork is signed, titled, and dated on verso. The artwork ships framed in a contemporary black frame and has a framed size of 37.5 x 27.5\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":48547768762685,"sku":"ORSTA2023103","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA2023103__P-Image_Flame_for_Winter_ORSTA2023103_or0001_Pimage.jpg?v=1767128366"},{"product_id":"primordial-2023","title":"Primordial, 2023","description":"\u003cp\u003e\"Primordial\" is an acrylic on canvas painting created by Robert Standish in 2023. The painting is signed, titled and dated on verso. 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The artwork ships framed in a contemporary dark wood frame and has a framed size of 62 x 50\".\u003c\/p\u003e","brand":"Robert Standish","offers":[{"title":"Default Title","offer_id":49137930404157,"sku":"ORSTA202417","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/ORSTA202417__P-Image_Terra_ORSTA202417_OR0001_30bee73b-0f31-4ef7-942c-aed01b151505.jpg?v=1767128901"},{"product_id":"untitled-sf73-157-1973","title":"Untitled (SF73-157), 1973","description":"\u003cp\u003e\"Untitled (SF73-157)\" is a gouache on paper painting created by Sam Francis in 1973. The artwork is signed and dated 'Sam Francis '73' on verso. The artwork ships framed in a custom closed-corner gold leaf frame and has a framed size of 39 x 31\".\u003c\/p\u003e\n\n\u003cp\u003eExecuted in vibrant gouache on paper and signed on the reverse, “Untitled (SF73-167)” is a lyrically charged work from Sam Francis’s mature period, dated 1973. Though intimate in scale, this vertical composition radiates intensity and layered nuance, exemplifying the clarity and chromatic vitality that defined his early 1970s production.\u003c\/p\u003e\n\n\u003cp\u003eSam Francis emerged as one of the most significant figures in postwar American abstraction. While shaped by Abstract Expressionism, he pursued a more luminous vision, treating color and light as psychological and expansive forces. His years in Paris, Tokyo, and California informed a practice that fused Western painterly gesture with Eastern concepts of space and calligraphy. By 1973, he had achieved a refined balance between spontaneity and structure, particularly in his works on paper.\u003c\/p\u003e\n\n\u003cp\u003eIn “Untitled (SF73-167),” an extraordinary field of yellow gouache tinged with orange occupies the center right of the sheet. This radiant mass appears to pulse with inner light, suggesting both organic emergence and calligraphic structure. Its vertical alignment and branching energy faintly echo the rhythm of Japanese script, a subtle reflection of Francis’s engagement with East Asian aesthetics.\u003c\/p\u003e\n\n\u003cp\u003eAround this luminous core, bursts of red, blue, pink, green, and black hover like satellites. The white ground is far from passive. It becomes an active field animated by flicks, splashes, and layered gestures. Rather than confining color to a border, Francis allows it to breathe outward, creating a sense of movement and resonance. The composition feels centered yet expansive, dense yet weightless.\u003c\/p\u003e\n\n\u003cp\u003eDated to a period of exceptional confidence, the work reflects Francis’s fully integrated visual language. Influences ranging from Impressionism to Zen painting coalesce into a voice distinctly his own. The immediacy of gouache reveals his intuitive touch, while the spatial openness underscores his mastery of balance.\u003c\/p\u003e\n\n\u003cp\u003e“Untitled (SF73-167)” stands as a radiant meditation on color, gesture, and form. It transforms paper into a field of energy, luminous and contemplative, embodying Francis’s ability to unite chromatic force with spiritual poise.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":49137933287741,"sku":"FAFRA730157","price":225000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA730157__P-Image_untitled_1973_sf73-157_fafra730157_or0001.jpg?v=1760632954"},{"product_id":"untitled-sfm-80-016-1980","title":"Untitled (SFM 80-016), 1980","description":"\u003cp\u003e\"Untitled (SFM 80-016), 1980\" is a monotype with oil, dry pigment, and ink on handmade rag paper, created by Sam Francis in 1980. The artwork is signed twice and titled on verso. The artwork ships framed in a contemporary white frame and has a framed size of 35 x 29.75\".\u003c\/p\u003e\n\n\u003cp\u003eCreated in 1980, “Untitled (SFM 80-016)” reveals Sam Francis at a moment of bold symbolic clarity and technical innovation. At the center of the composition, a vivid blue cross radiates outward from a field of saturated red, encircled by a luminous yellow border. The work pulses with chromatic intensity while maintaining a sense of stillness and equilibrium.\u003c\/p\u003e\n\n\u003cp\u003eExecuted as a monotype and layered with oils, dry pigments, watercolor, and ink on handmade rag paper, the piece exemplifies Francis’s experimental approach to printmaking. The monotype process yields a single unique impression, aligning perfectly with his intuitive and improvisational method. Francis favored handmade paper for its responsiveness to pigment. Here, the surface absorbs and resists color in varying degrees, producing subtle shifts in saturation and atmosphere.\u003c\/p\u003e\n\n\u003cp\u003eAlthough often associated with Abstract Expressionism, Francis developed a visual language that transcended stylistic boundaries. His career spanned Paris, Tokyo, and California, and his work reflects a synthesis of European modernism, Zen philosophy, and Jungian thought. By 1980, his compositions frequently engaged symbolic structures while remaining resolutely abstract.\u003c\/p\u003e\n\n\u003cp\u003eThe blue cross in this work is both formal and conceptual. It extends beyond the red field and yellow border, reaching into untouched areas of the paper. This outward thrust suggests expansion and spiritual projection rather than confinement. The cross functions less as a religious emblem than as an archetypal meeting point, a convergence of horizontal and vertical forces, body and spirit, interior and exterior.\u003c\/p\u003e\n\n\u003cp\u003eInfluenced by Carl Jung’s writings on the union of opposites, Francis approached such forms as expressions of psychic integration. In this context, the cross becomes a visual diagram of reconciliation. The primary colors engage in dynamic dialogue, while the white paper serves as active space, offering breath and possibility.\u003c\/p\u003e\n\n\u003cp\u003e“Untitled (SFM 80-016)” stands as a singular work that merges color, gesture, and symbol with technical daring. Through radiant contrast and open composition, Francis creates an image that is both elemental and expansive, inviting contemplation of balance, energy, and inner transformation.\u003c\/p\u003e","brand":"Sam Francis","offers":[{"title":"Default Title","offer_id":49205337489725,"sku":"FAFRA800016","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1551\/3581\/files\/FAFRA800016__P-Image_Untitled_1980_FAFRA800016_or0001.jpg?v=1760633497"},{"product_id":"untitled-sf-310-l-236","title":"Untitled (SF-310, L.236), 1979","description":"\u003cp\u003e\"Untitled (SF-310, L.236)\" is a lithograph on BFK Rives wove paper created by Sam Francis in 1979. From the edition of 33, the artwork is signed 'Sam Francis' lower right and annotated lower left. The artwork is framed in a contemporary white frame and has a framed size of 34.5 x 46.5\". 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Though often linked to Abstract Expressionism, he forged a distinct path shaped by French modernism, Zen philosophy, and an international sensibility developed through years in Paris, Tokyo, Los Angeles, and New York. Across four decades, Francis fused color field painting and gestural abstraction into a visual language that was both expansive and deeply personal.\u003c\/p\u003e\n\n\u003cp\u003eAn early and dedicated experimenter in printmaking, Francis treated the monotype not as a reproducible medium but as a unique extension of painting. “Untitled (SFM 86-239),” created in 1986, exemplifies this late period vitality and technical boldness. Executed on a commanding scale of 40 by 48 inches, the work asserts itself with a jubilant, multifaceted surface.\u003c\/p\u003e\n\n\u003cp\u003eThe composition features large, cut out like shapes that recall the organic exuberance of Henri Matisse’s late paper collages. These biomorphic forms interact with spontaneous splashes and flung gestures of saturated color, conveying urgency and improvisation. A striking lip shaped form emerges within the abstraction, suggesting a subtle eroticism or figural presence. This motif introduces a sensuous undertone, a fleeting trace of the human body within the field of color.\u003c\/p\u003e\n\n\u003cp\u003eAs a monotype, the work is singular. The painted imagery was transferred from plate to paper in a single impression, giving it the immediacy of a canvas while preserving the experimental edge of printmaking. Francis approached the plate as an arena for layered gesture and iconography, allowing structure and spontaneity to coexist. The white ground remains active, balancing the bold shapes and chromatic bursts with intervals of space and breath.\u003c\/p\u003e\n\n\u003cp\u003eThe interplay of bold form, gesture, and figural suggestion situates the work at the intersection of abstraction and modernist tradition. 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