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Flower Petal Gown, 1990

$3,975
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Medium: serigraph
Year: 1990
Edition: 650

Image Size: 31.5 x 23.5"
Sheet Size: 38.25 x 29.5"
Framed Size: 48 x 40"

Signature: estate signature stamp lower right
Reference: Erté The Last Works

Literature: Lee, M. Erté: The Last Works. Dutton Studio Books, 1991. pg. 84.

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Flower Petal Gown, 1990 by Erté
Flower Petal Gown, 1990 by Erté framed
Flower Petal Gown, 1990 by Erté detail corner
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$3,975

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About the Work
About the Artist

About the Work

"Flower Petal Gown" is an expertly crafted serigraph on paper with foil stamping and an image size of 31.5 x 23.5". From the edition of 650, the art is estate-stamped 'Erté' lower right. Framed in a contemporary, black and gold-tone frame. The artwork ships framed and is accompanied by a certificate of authenticity.

Based on the fashion designs for Harper’s Bazaar in April of 1920, "Flower Petal Gown" shows the tender side of Art Deco Design. Erté created this graphic with flowing lines and soft curves, embellished with a border of petals and blooms that echoes the flowers in her hand and on her gown. This beautiful design later inspired a bronze sculpture entitled "Flower Petal Gown".

This work is published by Chalk & Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.

About the Artist

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mother and managed to persuade the adults to craft it, they were astounded by the results. In 1912, Romain left St. Petersburg for Paris at the age of nineteen with the aim of becoming an artist. After working with Paul " Le Magnifique" Poiret on several theatrical productions Romain, still under the pseudonym of Erte, began to work more independently. He hand-crafted original costume and fashion designs for many of the era’s most renowned actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His masterpieces for the stage included extravagant production designs at venues such as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera. In 1915 he began his long professional relationship with Harper's Bazaar and created 240 covers for the esteemed magazine. For 6 months in 1916, Erté simultaneously worked with Vogue as well. As a result of his highly publicized success, Erté would later be called the father of the ‘Art Deco’ movement.

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