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223 - Frontispiece (Four Tales from the Arabian Nights, M.36), 1948

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Medium: hand-signed lithograph
Year: 1948
Edition: 111

Sheet Size: 17 x 13"
Image Size: 15 x 11.25"

Signature: signed 'Marc Chagall' lower right and annotated lower left
Reference: Cramer 18; D.A.P 36; Mourlot 36

Literature: Cramer, P. Marc Chagall: The Illustrated Books: Catalogue Raisonné. Patrick Cramer, Geneva, 1995. pgs. 58-59. no. 18.

Gauss, U. (Ed.). Marc Chagall: The Lithographs, La Collection Sorlier. D.A.P/Distributed Art Publishers, 1998. pg. 64. no. 36.

Mourlot, F. & Sauret, A. (Ed). The Lithographs of Chagall I. Monte Carlo & Geroge Braziller, 1960. pg. 67. M.36.

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223 - Frontispiece (Four Tales from the Arabian Nights, M.36), 1948
223 - Frontispiece (Four Tales from the Arabian Nights, M.36), 1948
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About the Work
About the Artist

About the Work

"Frontispiece (M.36)" is a lithograph created by Marc Chagall in 1948 for his 'Four Tales from the Arabian Nights' series. From the edition of 111, the artwork is signed 'Marc Chagall' lower right and annotated lower left. The image size is 15 x 11.25" and the artwork is framed in a custom, contemporary gold leaf stepped frame. The artwork ships framed and accompanied by a certificate of authenticity.

About the Artist

Marc Chagall was born Moishe/Marc Shagal in Liozne, near Vitebsk, in modern day Belarus, in 1887. He was a Russian-French-Jewish artist of international repute who, arguably, was one of the most influential modernist artists of the 20th Century, both as an early modernist, and as an important part of the Jewish artistic tradition. He distinguished himself in many arenas: as a painter, book illustrator, ceramicist, stained-glass painter, stage set designer and tapestry maker. Widely admired by both his contemporaries, and by later artists, he forged his creative path in spite of the many difficulties and injustices he faced in his long lifetime. Chagall's early life in the schetl with his Hasidic Jew parents was a strong influence on his work throughout his life. He carried a Russian mysticism, and an intrinsic understanding of and sympathy for his religious roots wherever he travelled.

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