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About the Work
"Cameos" is a serigraph with hot-stamping and embossing created by Erté in 1990. From the edition of 650, the artwork is estate stamped with the artists signature lower right. The image size is 14.25 x 21.25" and the artwork is framed in a contemporary black frame. The artwork ships framed and accompanied by a certificate of authenticity.
"Cameos" was based on a design for coiffures and earrings for a 1920 issue of Harper's Bazaar. Each of the three cameos is surrounded by a gold border, on which is the name of the flower used to create the coiffures or earrings in that particular cameo. Erté used Des Roses, Des Oeillets and Des Myosotis (roses, carnations, and forget-me-nots) to inspire these stunning cameos which hang from a pinned up horizontal ribbon.
This work is published by Chalk & Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.
About the Artist
Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mother and managed to persuade the adults to craft it, they were astounded by the results. In 1912, Romain left St. Petersburg for Paris at the age of nineteen with the aim of becoming an artist. After working with Paul " Le Magnifique" Poiret on several theatrical productions Romain, still under the pseudonym of Erte, began to work more independently. He hand-crafted original costume and fashion designs for many of the era’s most renowned actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His masterpieces for the stage included extravagant production designs at venues such as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera. In 1915 he began his long professional relationship with Harper's Bazaar and created 240 covers for the esteemed magazine. For 6 months in 1916, Erté simultaneously worked with Vogue as well. As a result of his highly publicized success, Erté would later be called the father of the ‘Art Deco’ movement.
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