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192 - Diana (Myths Suite), 1985

$5,975
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Medium: hand-signed serigraph
Year: 1985
Edition: Erté at 95

Sheet Size: 34.25 x 24.5"
Canvas Size: 30.25 x 19.5"
Framed Size: 41.5 x 33"

Signature: signed 'Erté' lower right
Reference: Erté at 95

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Diana (Myths Suite), 1985 by Erté
Diana (Myths Suite), 1985 by Erté framed
Diana (Myths Suite), 1985 by Erté detail corner
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$5,975

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About the Work
About the Artist

About the Work

"Diana" is an expertly crafted hand-signed serigraph on paper created by Erté for his "Myths" suite. "Diana" is based on the 1923 gouache "Le Gloire" currently held at the Metropolitan Museum of Art, NY and created as a costume design for "L'Or" at the Ziegfield Follies - 'Gold Costume Design with Olive Branch Headress and Armlets.“
Erté’s fanciful depiction of the great goddess Diana borrows the olive branches associated with Athena/Minerva and forms them into a stunning, radiating headdress, suggestive of the Moon which she rules.
From the edition of 525, the artworks image size is 30.25 x 19.5". The artwork ships framed in a contemporary black frame and is accompanied by a certificate of authenticity. 

Martin Lawrence Galleries is an affiliate of Erté's publisher Chalk & Vermilion Fine Arts. This print is therefore as new, with no prior ownership, coming straight from the publisher.

Literature: Lee, M. Erté at Ninety-five: The Complete Graphics, The Extended Edition. Dutton Studio Books, 1987, 1988. pg. 71.

About the Artist

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mother and managed to persuade the adults to craft it, they were astounded by the results. In 1912, Romain left St. Petersburg for Paris at the age of nineteen with the aim of becoming an artist. After working with Paul " Le Magnifique" Poiret on several theatrical productions Romain, still under the pseudonym of Erte, began to work more independently. He hand-crafted original costume and fashion designs for many of the era’s most renowned actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His masterpieces for the stage included extravagant production designs at venues such as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera. In 1915 he began his long professional relationship with Harper's Bazaar and created 240 covers for the esteemed magazine. For 6 months in 1916, Erté simultaneously worked with Vogue as well. As a result of his highly publicized success, Erté would later be called the father of the ‘Art Deco’ movement.

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