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213 - Le Harem Moderne II, 1990

$3,475
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Medium: serigraph
Year: 1990
Edition: 325

Sheet Size: 41.5 x 30"
Image Size: 34.5 x 23.75"
Framed Size: 47.75 x 36.5"

Signature: estate signature stamp lower right
Reference: Erté The Last Works

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Le Harem Moderne II, 1990 by Erté
Le Harem Moderne II, 1990 by Erté detail 1
Le Harem Moderne II, 1990 by Erté detail 2
Le Harem Moderne II, 1990 by Erté signature
Le Harem Moderne II, 1990 by Erté framed
Le Harem Moderne II, 1990 by Erté detail corner
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$3,475

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About the Work
About the Artist

About the Work

"Le Harem Moderne II" is an expertly crafted serigraph on paper and has an image size of 34.5 x 23.75". From the edition of 325, the art is estate-stamped 'Erté' lower right. Framed in an ornate gold-tone frame. The artwork ships framed and is accompanied by a certificate of authenticity. 

Martin Lawrence Galleries is an affiliate of Erté's publisher Chalk & Vermilion Fine Arts. This print is therefore as new, with no prior ownership, coming straight from the publisher.

Literature: Lee, M. Erté: The Last Works. Dutton Studio Books, 1991. pg. 94.

About the Artist

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mother and managed to persuade the adults to craft it, they were astounded by the results. In 1912, Romain left St. Petersburg for Paris at the age of nineteen with the aim of becoming an artist. After working with Paul " Le Magnifique" Poiret on several theatrical productions Romain, still under the pseudonym of Erte, began to work more independently. He hand-crafted original costume and fashion designs for many of the era’s most renowned actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His masterpieces for the stage included extravagant production designs at venues such as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera. In 1915 he began his long professional relationship with Harper's Bazaar and created 240 covers for the esteemed magazine. For 6 months in 1916, Erté simultaneously worked with Vogue as well. As a result of his highly publicized success, Erté would later be called the father of the ‘Art Deco’ movement.

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