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Always a student of the arts as well as an artist, Bertho himself has observed that the techniques he perfected through formal art education in Rheims, France are the tools with which he creates images that appear real but exist only in the disorienting and provocative realism that are utterly his own. Through his art, he creates a visual story that just the viewer can complete using the imagination and sense of humor.
Bertho’s characters seem to emerge from nowhere, and they feed our curiosity to see what might lie on the other side of the artist’s stylishly alluring portals. Bertho’s work offers tantalizing evidence of a vast source of artistic inspiration. From Norman Rockwell to the trompe l’oiel style painters whose canvases “fool the eye” into believing that what is perceived is real. Bertho’s paintings and prints abound with influences from more contemporary sources as well.
In “Ne Fais Pas Ça,” Philippe Bertho once again touches us with absurdity, anticipation, and humor as he captures a young woman balanced tenuously upon her companion's back in nothing more than her bathing suit! Admirers of Bertho's work are familiar with his trademark style - the juxtaposition of patterns, the dots against the stripes, the angular against the curved, the tiny figures going about their business against a vast expanse of background all working together in harmony.
Philippe Bertho is classically trained having enrolled in art school in Reims, France in the early 1990s. There, he spent considerable time studying decorative trompe l’oeil painting. Tromp l’oeil (“to fool the eye”) is a technique used by artists to create the illusion of a 3rd dimension on a flat surface. It is obvious from Bertho’s artwork that he fools much more than the eye…he draws one in by the heart and also quite frequently by the funny bone. Despite his ability to perfectly render reproductions of masterworks, Bertho was drawn to the world of fantasy and illusion. As his style developed, he drew inspiration from renowned contemporary trompe-l’oeil artist, Jacques Poirier. In his early work, Bertho exhibited ingenuity by including unusual materials in his paintings. Employing objects that other’s found useless – corrugated iron, rusted metal boxes, old light bulbs – he was fascinated with his ability to bring his art alive by creating dimension – either by the addition of these items directly onto his canvas or later through the technique of trompe l’oeil.