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204 - The Hindu Princess, 1987

$4,975
View in AR

Medium: hand-signed serigraph
Year: 1987
Edition: 581

Sheet Size: 29.75 x 40.5"
Image Size: 26.5 x 32.25"
Framed Size: 38.25 x 45.5"

Signature: signed 'Erté' lower right
Reference: Erté at 95

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The Hindu Princess, 1987 by Erté
The Hindu Princess, 1987 by Erté framed
The Hindu Princess, 1987 by Erté corner detail
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$4,975

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About the Work
About the Artist

About the Work

"The Hindu Princess" is an expertly crafted hand-signed serigraph on paper, from the edition of 521. The image size is 26.5 x 32.25" and the artwork is framed in a contemporary black frame. The artwork ships framed and is accompanied by a certificate of authenticity. 

The image was created originally as a gouache for a theatrical production in 1918. 

Martin Lawrence Galleries is an affiliate of Erté's publisher Chalk & Vermilion Fine Arts. This print is therefore as new, with no prior ownership, coming straight from the publisher.

Literature: Lee, M. Erté at Ninety-five: The Complete Graphics, The Extended Edition. Dutton Studio Books, 1987, 1988. pg. 213.

About the Artist

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mother and managed to persuade the adults to craft it, they were astounded by the results. In 1912, Romain left St. Petersburg for Paris at the age of nineteen with the aim of becoming an artist. After working with Paul " Le Magnifique" Poiret on several theatrical productions Romain, still under the pseudonym of Erte, began to work more independently. He hand-crafted original costume and fashion designs for many of the era’s most renowned actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer, and others. His masterpieces for the stage included extravagant production designs at venues such as New York’s Radio City Music Hall, the Casino de Paris, and the Paris Opera. In 1915 he began his long professional relationship with Harper's Bazaar and created 240 covers for the esteemed magazine. For 6 months in 1916, Erté simultaneously worked with Vogue as well. As a result of his highly publicized success, Erté would later be called the father of the ‘Art Deco’ movement.

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