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Illustration for Hüm Bum! (from the La nouvelle chute de l'Amérique portfolio) (C.274), 1992

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Medium: hand-signed etching and aquatint on Arches
Year: 1992
Edition: 168

Sheet Size: 19 x 14"
Image Size: 14.75 x 10.87"
Framed Size: 26.5 x 22.5"

Signature: Initialed 'rfl' lower right and annotated lower left.
Reference: Corlett 274

Literature: Corlett. The Prints of Roy Lichtenstein - A Catalogue Raisonné 1948 – 1997. Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002. pg. 247. no. 274.

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Illustration for Hüm Bum! (from the La nouvelle chute de l'Amérique portfolio) (C.274), 1992 by Roy Lichtenstein
Illustration for Hüm Bum! (from the La nouvelle chute de l'Amérique portfolio) (C.274), 1992
Illustration for Hüm Bum! (from the La nouvelle chute de l'Amérique portfolio) (C.274), 1992
Illustration for Hüm Bum! (from the La nouvelle chute de l'Amérique portfolio) (C.274), 1992
Illustration for Hüm Bum! (from the La nouvelle chute de l'Amérique portfolio) (C.274), 1992
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About the Work
About the Artist

About the Work

"Illustration for Hüm Bum!" is an etching and aquatint on Arches created by Roy Lichtenstein for his 1992 'La nouvelle chute de l'Amérique' porfolio. From the edition of 168, the artwork is initialed 'rfl' lower right and annotated lower left. The image size is 14.75 x 10.87". The artwork ships framed and accompanied by a certificate of authenticity.

About the Artist

Roy Fox Lichtenstein was born in New York City on October 27, 1923. He grew up in Manhattan’s Upper West Side and had a passion for science and comic books. His father, Milton, was a successful real estate broker and his mother, Beatrice, exposed Lichtenstein to many aspects of New York culture by taking him to museums, concerts, and other functions. In his teens, his interest in art grew as he began drawing and taking courses on watercolor and sculpture. Later, he attended Ohio State University before being drafted to serve on European front for World War II. He then returned to Ohio State in 1946 to finish his undergraduate degree and received his Master’s in Fine Arts in 1949. In the late 1940s and early 50s, Lichtenstein began working in series, often taking artistic subjects from mythology and American history and folklore. Lichtenstein decided to an ironic reexamination of the nineteenth-century American genre paintings he saw in history books; creating Cubist interpretations of “Cowboys and Indians” amongst other Wild West characters, with a sense of faux-primitive whimsy.

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