Liberty, 2011
Liberty, 2011
Liberty, 2011
Liberty, 2011
Liberty, 2011

Liberty, 2011

Medium: hand-signed lithograph and screenprint
Signature: signed and dated 'Ed Ruscha 2011' in pencil lower right
Framed size: 30 x 24"
Price on Request
Details
Medium: hand-signed lithograph and screenprint
Year: 2011
Edition: 112

Sheet size: 25.75 x 19.75"
Image size: 25.75 x 19.75"
Framed size: 30 x 24"

Signature: signed and dated 'Ed Ruscha 2011' in pencil lower right

About the Work
"Liberty" is a lithograph and screenprint created by Ed Ruscha in 2011. From the edition of 112, the artwork is signed and dated ' Ed Ruscha 2011' in pencil lower right. The artwork is framed in a contemporary white frame and has a framed size of 30 x 24". The artwork ships framed and is accompanied by a certificate of authenticity. 

Ed Ruscha’s "Liberty" is a bold example of the artist’s long engagement with the visual and conceptual power of language. Created in 2011 as a lithograph and screenprint, the work transforms one of America’s most charged words into a fractured typographic image, suspended across a field of red, white, and blue.

The word “LIBERTY” appears in three descending parts: “LIB” dominates the upper left, “ER” floats lower in the center, and “TY” sits near the bottom right, reduced almost to a footnote. This staggered arrangement turns the word into a visual sequence, as if the idea is being broken down, syllable by syllable. What is normally a single, declarative word becomes something interrupted, unstable, and open to interpretation.

The background intensifies that effect. Broad diagonal bands of blue, white, and red move across the sheet with the force of light, signage, or a cinematic flare. The patriotic palette is immediately recognizable, but Ruscha avoids straightforward celebration. Instead, he places the word under visual pressure, allowing the viewer to consider whether liberty is being illuminated, fragmented, diminished, or reassembled.

This ambiguity is central to Ruscha’s work. Throughout his career, he has treated words as images — not just things to be read, but forms to be seen, questioned, and felt. His language often carries a deadpan clarity while leaving meaning unresolved. In "Liberty," the familiar word becomes both public and uncertain. It points toward national ideals, but also toward the fragility of those ideals when reduced to slogans, symbols, or visual fragments.

The print also reflects Ruscha’s deep connection to American graphic culture: roadside signs, advertising, Hollywood light, commercial lettering, and the visual language of mass communication. Yet the image is not simply Pop or patriotic. Its power comes from restraint. The crisp typography and vivid color are direct and accessible, while the fragmented structure creates a more thoughtful undertone.

Technically, the combination of lithography and screenprint suits Ruscha’s aesthetic perfectly, allowing for sharp letterforms, saturated color, and atmospheric transitions. For collectors, "Liberty" offers a strong example of Ruscha’s word-based practice in a visually immediate format. It combines language, design, national symbolism, and ambiguity in a way that is unmistakably his own. Rather than telling the viewer what liberty means, Ruscha presents the word as something to look at again — divided, illuminated, and still unresolved.
About the Artist

Ed Ruscha (b. 1937) is a leading figure in postwar American art whose work bridges Pop, Conceptual, and contemporary practice. Best known for his innovative use of language and imagery, Ruscha has made printmaking central to his career, producing iconic screenprints, lithographs, and etchings that distill the poetics of everyday words and symbols. Exhibited internationally and represented in major collections, his work continues to shape the dialogue between art, design, and culture today.

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