Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019 by Takashi Murakami
Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019 by Takashi Murakami
Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019 by Takashi Murakami
Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019 by Takashi Murakami

Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019

Medium: hand-signed screenprint
Signature: signed, dated and annotated lower right by Murakami, printed signature 'Fujiko F. Fujio' lower left
Image size: 20 x 20"
Price on Request
Title 20.25 x 20
Details
Medium: hand-signed screenprint
Year: 2019
Edition: 300

Sheet size: 23.62 x 23.62"
Image size: 20 x 20"

Signature: signed, dated and annotated lower right by Murakami, printed signature 'Fujiko F. Fujio' lower left

About the Work

"Many Things Await Beyond Anywhere Door (Dokodemo Door)" is a screenprint created by Takashi Murakami in 2019. From the edition of 300, the artwork is signed, dated and annotated lower right by Murakami, printed signature 'Fujiko F. Fujio' lower left. The artwork ships framed and accompanied by a certificate of authenticity.

Takashi Murakami's "Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019" celebrates one of Japan's most beloved cultural icons while reflecting the artist's lifelong fascination with the relationship between popular culture and contemporary art. Created in collaboration with "Doraemon," the iconic robotic cat created by manga artists Fujiko F. Fujio, the screenprint brings together two of Japan's most internationally recognized visual languages in a work that is both nostalgic and conceptually rich.

First appearing in 1969, "Doraemon" follows a robotic cat sent from the twenty-second century to help the young Nobita through an endless supply of imaginative gadgets. Among the most famous is the "Dokodemo Door," or "Anywhere Door," a magical pink portal that instantly transports its user to any destination imaginable. More than a whimsical invention, the “Anywhere Door” has become a symbol of limitless possibility, childhood imagination, and the belief that every obstacle can be overcome through creativity.

Murakami's affinity for "Doraemon" is deeply rooted in his own artistic philosophy. The series dissolves the boundaries between entertainment, commercial design, and fine art while embracing the visual language of manga and anime. Both artists present playful, approachable imagery that carries deeper reflections on postwar Japanese culture, technology, memory, and the power of imagination. By collaborating with the world of "Doraemon," Murakami pays tribute to a character that helped shape Japan's modern visual identity while placing it within the context of contemporary art.

Produced as a screenprint in 2019, "Many Things Await Beyond Anywhere Door (Dokodemo Door), 2019" demonstrates the exceptional craftsmanship that defines Murakami's editioned prints. Each impression is signed, dated, and annotated by Murakami in the lower right, while the printed signature of Fujiko F. Fujio appears in the lower left, underscoring the collaborative nature of the project and honoring the creators of "Doraemon." As both a celebration of one of Japan's most enduring fictional characters and a landmark collaboration between two cultural giants.

About the Artist

Takashi Murakami (b.1962) trained in Nihonga at Tokyo University of the Arts (PhD, 1993). Around 2000 he introduced Superflat, his influential theory linking the planar aesthetics of Japanese art—from Edo screens to manga—to postwar consumer culture. His work has been the subject of major surveys including “©MURAKAMI” (MOCA LA; Brooklyn Museum; MMK Frankfurt; Guggenheim Bilbao, 2007–09), “Lineage of Eccentrics” (MFA Boston, 2017–18), and “Stepping on the Tail of a Rainbow” (The Broad, 2022; Cleveland Museum of Art, 2025). He founded Kaikai Kiki Co., Ltd., a studio-publisher that sustains his large-scale paintings and sculptures and a globally collected print program spanning silkscreens, archival pigment works, and offset lithographs, often enhanced with metallic foils and high-gloss varnishes. Murakami describes his practice as a continual “backcrossing” of historical and pop vocabularies, an art of joyful surfaces and complex memory.

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