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The Land of Milk and Honey, 1968
Details
Year: 1968
Sheet size: 22 x 15"
Image size: 22 x 15"
Framed size: 33.5 x 27.5"
Signature: signed 'Dalí' lower right
About the Work
"The Land of Milk and Honey" is a gouache, watercolor, ball-point pen and ink, charcoal and wash on thick paper drawing created by Salvador Dalí in 1968. The artwork is signed 'Dalí' lower right. The artwork ships framed in a custom ornate gold leaf frame and has a framed size of 33.5 x 27.5".
Created in 1968 as part of Salvador Dalí’s celebrated "Aliyah: The Rebirth of Israel" series, "The Land of Milk and Honey" is one of the most lyrical and optimistic images from this rare body of original works. Executed in gouache on paper, the composition brings together biblical promise, modern renewal, and Dalí’s unmistakable late Surrealist imagination.
The title evokes one of the most enduring images of abundance in the Hebrew Bible: the Promised Land as a place “flowing with milk and honey.” Yet Dalí does not illustrate this idea literally. Instead, he transforms it into a radiant, dreamlike vision. A low band of green and blue suggests earth, water, and cultivation, while the upper field erupts into washes of color, calligraphic line, and floating organic forms. At the right, a figure appears to pour liquid from a vessel, giving visual form to nourishment, blessing, and plenty. At the left, a slender, almost ceremonial figure rises among flowers and delicate marks, as if witnessing the land’s awakening.
What makes this work especially compelling is the tension between delicacy and drama. Dalí’s handling of gouache, watercolor-like washes, and ink is spontaneous and expressive, far removed from the hard-edged precision of his most famous Surrealist canvases. Here, the artist works with atmosphere, stain, gesture, and symbol. The image feels less like a description of a place than a vision of arrival: a landscape charged with memory, promise, and transformation.
Within the larger "Aliyah" series, "The Land of Milk and Honey" occupies a crucial emotional register. Many works in the cycle address struggle, migration, sacrifice, and the hard-won establishment of a homeland. This image offers the answering note of hope. It speaks to the dream that sustained generations: not merely survival, but flourishing; not merely return, but renewal.
For collectors, the work carries several layers of significance. It belongs to a historically important commission marking the twentieth anniversary of the State of Israel. It is also one of the original gouache works from which the better-known lithographic portfolio was derived, giving it a special status within Dalí’s graphic and Judaic-themed production. While the published prints made the series widely known, the original gouaches are the generative works—the hand, surface, and invention at the source.
"The Land of Milk and Honey" is therefore more than an image of biblical abundance. It is Dalí’s poetic meditation on promise fulfilled: a luminous, intimate work in which history, faith, and imagination converge.
About the Artist
The Land of Milk and Honey, 1968
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