Untitled (SFP94-96), 1994
Untitled (SFP94-96), 1994

Untitled (SFP94-96), 1994

Medium: acrylic on canvas
Signature: estate stamp verso
Framed size: 34 x 34"
Price on Request
Details
Medium: acrylic on canvas
Year: 1994

Canvas size: 30 x 30"
Framed size: 34 x 34"

Signature: estate stamp verso
Reference:
SFP94-96

Literature:
Galleri Fauschou. Sam Francis: The Last Works. Galleri Fauschour, 1999. pgs. 52-53. SFP94-96.


About the Work

"Untitled (SFP94-96)" is an acrylic on canvas painting created by Sam Francis in 1994. The artwork is estate stamped on verso. The artwork ships framed in a contemporary white frame and has a framed size of 34 x 34".

In 1994, the final year of his life, Sam Francis created a remarkable body of work marked by intensity, urgency, and radiant color. "Untitled (SFP94-96)" stands as a powerful example from this culminating series — an acrylic on canvas alive with explosive gesture, vivid contrasts, and emotional clarity. It is both testament and legacy: proof that, despite immense physical adversity, Francis continued to paint with a force that transcended bodily frailty and gave full expression to the expansiveness of his inner world.

Here, Francis unleashes a fearless orchestration of color. Bright reds, electric blues, and brilliant yellows surge across the canvas, colliding and dispersing in loosely gridded yet fluid formations. The composition feels at once structured and unbound — passages of pigment gather in clustered intensity, then dissolve into open breathing space. The splatters and bursts appear spontaneous, yet they reveal decades of discipline and experimentation beneath their immediacy.

The painting embodies Francis’s lifelong pursuit of what art historian William C. Agee called “the expressive and psychic power of color.” In "Untitled (SFP94-96)," color radiates outward; it does not sit passively on the surface. Layers of handmade pigments and acrylic create a dynamic push and pull between opacity and translucence, density and air. The result is a surface that vibrates — weightless yet charged with energy.

In his late works, Francis moves beyond pure abstraction toward something more metaphysical. The compositional clarity of earlier decades gives way here to fragmentation and dispersal, as though mirroring the instability and fragility of existence itself. There is no central anchor; the eye travels restlessly, guided only by rhythm and chromatic intensity. The painting becomes a visual field of consciousness — immediate, unfiltered, and alive.

Francis knew his medium intimately. Even at the edge of mortality, he manipulated pigment, saturation, and surface with extraordinary sensitivity. "Untitled (SFP94-96)" is more than a painting — it is an affirmation. It declares that color, in Francis’s hands, remained inexhaustible: a final assertion of vitality in the face of impermanence.

About the Artist

Sam Francis (1923 – 1994), internationally celebrated for his radiant use of color and light, stands as one of the great figures of postwar abstraction. His bold canvases, rooted in Abstract Expressionism yet enriched by global influences from Paris to Tokyo, speak directly to today’s collectors seeking works that transcend boundaries of place and time. Francis’s paintings and works on paper are represented in the world’s leading museums, including MoMA (New York), Tate (London), Centre Pompidou (Paris), LACMA (Los Angeles), and SFMOMA. His market remains exceptionally strong, underscored by recent record-breaking sales and renewed curatorial attention, such as LACMA’s 2023 exhibition Sam Francis and Japan: Emptiness Overflowing. With their luminous expanses of white and bursts of vivid blues, reds, and golds, Francis’s works feel startlingly contemporary, anchoring him as a cornerstone of 20th-century art whose vision remains vital in the 21st-century market.

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