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Untitled (SFP94-96), 1994
Details
Year: 1994
Canvas size: 30 x 30"
Framed size: 34 x 34"
Signature: estate stamp verso
About the Work
"Untitled (SFP94-96)" is an acrylic on canvas painting created by Sam Francis in 1994. The artwork is estate stamped on verso. The artwork ships framed in a contemporary white frame and has a framed size of 34 x 34".
In 1994, the final year of his life, Sam Francis created a remarkable body of work marked by intensity, urgency, and radiant color. "Untitled (SFP94-96)" stands as a powerful example from this culminating series — an acrylic on canvas alive with explosive gesture, vivid contrasts, and emotional clarity. It is both testament and legacy: proof that, despite immense physical adversity, Francis continued to paint with a force that transcended bodily frailty and gave full expression to the expansiveness of his inner world.
Here, Francis unleashes a fearless orchestration of color. Bright reds, electric blues, and brilliant yellows surge across the canvas, colliding and dispersing in loosely gridded yet fluid formations. The composition feels at once structured and unbound — passages of pigment gather in clustered intensity, then dissolve into open breathing space. The splatters and bursts appear spontaneous, yet they reveal decades of discipline and experimentation beneath their immediacy.
The painting embodies Francis’s lifelong pursuit of what art historian William C. Agee called “the expressive and psychic power of color.” In "Untitled (SFP94-96)," color radiates outward; it does not sit passively on the surface. Layers of handmade pigments and acrylic create a dynamic push and pull between opacity and translucence, density and air. The result is a surface that vibrates — weightless yet charged with energy.
In his late works, Francis moves beyond pure abstraction toward something more metaphysical. The compositional clarity of earlier decades gives way here to fragmentation and dispersal, as though mirroring the instability and fragility of existence itself. There is no central anchor; the eye travels restlessly, guided only by rhythm and chromatic intensity. The painting becomes a visual field of consciousness — immediate, unfiltered, and alive.
Francis knew his medium intimately. Even at the edge of mortality, he manipulated pigment, saturation, and surface with extraordinary sensitivity. "Untitled (SFP94-96)" is more than a painting — it is an affirmation. It declares that color, in Francis’s hands, remained inexhaustible: a final assertion of vitality in the face of impermanence.
About the Artist
Untitled (SFP94-96), 1994
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