Auberge de Soleil, 2001
Details
Year: 2001
Edition: 500
Canvas size: 22 x 44"
Framed size: 30.5 x 52.75"
Signature: signed 'Kerry Hallm' lower left and annotated lower right
About the Work
"Auberge du Soleil" is an enhanced serigraph on canvas created by Kerry Hallam in 2001. From the deluxe edition of 250 on canvas, the edition also included 250 on white paper for a total edition size of 500. The artwork is signed 'Kerry Hallam' lower left and annotated lower right. The canvas size is 22 x 44" and the artwork is framed in an ornate, gold-tone frame. The artwork ships framed and accompanied by a certificate of authenticity.
“There’s a wonderful sort of jewel-like quality about where the sea meets the land. There’s no way of ever being bored, no way not to be stimulated.” – Kerry Hallam
Kerry Hallam’s familiar and popular coastal views, vivid seascapes, and timeless, sun-drenched village scenes continue to enchant and inspire his collectors worldwide. His art is most noted for its power to evoke emotions, opulence of light, and distinctive color harmonies. He paints in a true impressionistic style with clear Fauvist influences, and his love of Mediterranean and nautical imagery forms the foundation of his work.
For Hallam, who spent his childhood in the dreary, “sooty,” environment of Northern England, anywhere with sunlight, fresh air, and a vista reaching to the heavens was heaven itself. In "Auberge de Soleil," he drops us off at a rustic yet elegant inn, nestled between a vineyard and a sparkling inlet. The stately auberge welcomes its guests as the owners might have done when the beautiful mansion was an estate home – with a warm smile, a comfortable seat, and a glass of wine made from their own harvest. When your stay is over, you leave reluctantly, carrying cases of the best they have to offer, which you will enjoy at home as you recall your wonderful holiday.
This work is published by Chalk & Vermilion Fine Arts, an affiliate of Martin Lawrence Galleries, no prior ownership.
About the Artist

Auberge de Soleil, 2001
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