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I Love Liberty (C.192), 1982
Price on Request
Details
Medium: hand-signed screenprint on Arches 88 paper
Year: 1982
Edition: 323
Sheet size: 38.37 x 27.12"
Image size: 32.37 x 21.12"
Framed size: 49 x 37.75"
Signature: signed and dated 'rf Lichtenstein '82' and annotated lower right
Year: 1982
Edition: 323
Sheet size: 38.37 x 27.12"
Image size: 32.37 x 21.12"
Framed size: 49 x 37.75"
Signature: signed and dated 'rf Lichtenstein '82' and annotated lower right
About the Work
"I Love Liberty (C.192)" is a screenprint on Arches 88 paper created by Roy Lichtenstein in 1982. From the edition of 323, the artwork is signed and dated 'rf Lichtenstein '82' and annotated lower right. The artwork is framed in a custom closed-corner gold leaf frame and has a framed size of 49 x 37.75". The artwork ships framed and accompanied by a certificate of authenticity.
Roy Lichtenstein’s "I Love Liberty, 1982" is a striking screenprint that brings together the artist’s graphic precision, fascination with mass culture, and ambivalent approach to American symbolism. Commissioned in connection with the early 1980s national campaign of the same name, the print reflects a moment when civic identity, patriotism, and democratic values were being actively promoted and publicly reimagined. Rather than presenting the Statue of Liberty as a distant monument or heroic emblem, Lichtenstein transforms her into a bold, fragmented image shaped by the visual language of Pop Art.
The composition offers a tightly cropped and deconstructed view of Liberty. Her crown and face appear largely in black and white, giving her features an architectural, almost mechanical quality. The torch flame is rendered in flat yellow, sharply contained by black outlines and accented with a small red tip, suggesting heat, light, and symbolic illumination. The tablet and hand are also highlighted in yellow, drawing attention to Liberty’s role as a bearer of law and democratic ideals. Behind these forms, diagonal blue stripes create a rhythmic, graphic backdrop that flattens the image and pushes it toward abstraction.
This use of cropping, scale, and simplification is central to the print’s meaning. Lichtenstein makes the Statue of Liberty instantly recognizable, but also strangely impersonal. She becomes less a singular monument than a reproduced image—something familiar from newspapers, stamps, posters, souvenirs, and patriotic campaigns. In this sense, "I Love Liberty" asks viewers to consider how national symbols circulate in popular culture, and how repetition can transform even the most revered emblem into something resembling a logo.
Lichtenstein had long been interested in American imagery, from comic-book soldiers to flags and commercial graphics. In "I Love Liberty," he applies that same Pop sensibility to one of the country’s most charged symbols. The result is neither simple celebration nor outright critique. Instead, the print occupies a more complex space: it honors Liberty’s visual power while also exposing how that power is constructed, stylized, and mediated through graphic design.
Created during the Cold War and the Reagan era, "I Love Liberty" also reflects the renewed visibility of patriotic imagery in early 1980s America. Yet Lichtenstein’s treatment remains cool and controlled rather than sentimental. By reducing Liberty to bold outlines, flat color, and fragmented forms, he shows how national identity is shaped through images that are endlessly reproduced and consumed.
Ultimately, "I Love Liberty" is more than a decorative patriotic print. It is a sophisticated meditation on how American ideals become icons, and how icons become part of mass visual culture. Through his Pop Art vocabulary, Lichtenstein reframes the Statue of Liberty as both sacred symbol and graphic sign. The work’s power lies in that tension: it invites admiration for Liberty while also asking what it means to love an image of liberty in a culture where images are constantly reproduced, packaged, and redefined.
About the Artist
I Love Liberty (C.192), 1982
Regular price
$178,500.00
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