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Untitled (SF82-254), 1982
Details
Year: 1982
Image size: 19.5 x 13.25"
Framed size: 28.5 x 23"
Signature: signed and dated 'Sam Francis 1982' verso
About the Work
"Untitled (SF82-254)" is an acrylic on paper painting created by Sam Francis in 1982. The artwork is signed and dated 'Sam Francis 1982' verso. The artwork ships framed in a contemporary closed-corner gold leaf frame and has a framed size of 28.5 x 23".
Sam Francis’s “Untitled (SF82-254),” painted in 1982, reflects the assured intensity of his late career. Executed in acrylic on paper, the work embodies the dual forces that defined his practice: spontaneous gesture and structural clarity, radiant color and contemplative depth. It stands as a vivid example of an artist whose vision remained singular despite spanning continents and movements.
Francis was one of the first American painters to gain sustained international acclaim, exhibiting widely in Paris, Tokyo, and New York. His work synthesizes Western modernism with Eastern philosophy, particularly ideas absorbed during his years in Japan. This cross-cultural engagement shaped a visual language that feels both intuitive and meditative, energetic yet composed.
In “Untitled (SF82-254),” geometric blocks of saturated purple anchor the composition, establishing a structural foundation. Across this framework, vibrant splashes of blue, red, and yellow surge with immediacy. These chromatic bursts are not decorative but experiential, creating a field that seems to vibrate with motion. In counterpoint, darker amorphous black forms introduce weight and gravity. The tension between luminous color and shadowed depth generates a dynamic equilibrium.
Acrylic lends the surface a physical assertiveness distinct from the translucency of watercolor. Color pools, collides, and expands across the paper, while the white ground remains active and responsive. Each gesture appears instinctive yet deliberate, guided by Francis’s refined understanding of balance. The composition achieves intensity without chaos, allowing energy to circulate within a disciplined framework.
Created during the final decade of his career, this work reflects Francis’s continued exploration of contrast and psychological force. The interplay of saturated hues against deep blacks underscores his lifelong fascination with color as a metaphysical presence.
“Untitled (SF82-254)” captures an artist at a moment of mature authority. Through bold chromatic interplay and controlled spontaneity, Francis transforms paper into a charged field of sensation, affirming his enduring role as one of the defining voices of postwar abstraction.
About the Artist
Untitled (SF82-254), 1982
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