Kiku (FS.II.308), 1983 by Andy Warhol
Kiku (FS.II.308), 1983
Kiku (FS.II.308), 1983
Kiku (FS.II.308), 1983
Kiku (FS.II.308), 1983
Kiku (FS.II.308), 1983
Kiku (FS.II.308), 1983

Kiku (FS.II.308), 1983

Medium: hand-signed screenprint on BFK Rives
Signature: signed 'Andy Warhol' and annotated lower left
Framed size: 32 x 38"
Price on Request
Details
Medium: hand-signed screenprint on BFK Rives
Year: 1983
Edition: 353

Sheet size: 19.75 x 26"
Image size: 19.75 x 26"
Framed size: 32 x 38"

Signature: signed 'Andy Warhol' and annotated lower left
Reference:
FS.II.308

Literature:
F. Feldman, J. Schellmann, and C. Defendi, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, 4th ed. New York: D.A.P. Inc, 2003. FS.II.308. pg. 134.


About the Work

"Kiku (FS.II.308)" is a screenprint on BFK Rives created by Andy Warhol in 1983. From the edition of 353, the artwork is signed 'Andy Warhol' and annotated lower left. The artwork is framed in a contemporary white frame and has a framed size of 32 x 38". The artwork ships framed and accompanied by a certificate of authenticity.

Andy Warhol’s "Kiku" suite occupies a fascinating place within his late printmaking: intimate in scale, radiant in color, and unusually specific in its cultural address. Commissioned by Tokyo’s Gendai Hanga Center in 1983, the portfolio takes its title from the Japanese word for chrysanthemum, a flower long associated with Japan’s Imperial House. Warhol had already found poetry in flowers, most famously through his 1960s and 1970s Flowers works, but "Kiku" feels different: less like a borrowed image from mass media, and more like a cultivated offering made for an audience that had come to value him deeply.

That relationship had been building for years. Warhol’s 1974 retrospective at the Daimaru Department Store in Tokyo helped open a serious Japanese collector base for his work, and by the early 1980s the Gendai Hanga Center saw in his flower imagery a natural bridge between Pop and Japanese visual tradition. The chrysanthemum gave Warhol a subject that was both decorative and loaded: courtly, ceremonial, and instantly recognizable, yet fully available to his language of repetition, cropping, and electric color.

"FS.II.308," the second print in the "Kiku" portfolio, is especially seductive - two chrysanthemum forms press against a divided field of grey, blue, and hot pink. Yellow linear drawing flickers across the petals like calligraphy, while the screen-printed color sits boldly and flatly, creating the unmistakable tension collectors love in Warhol: machine-made image, human irregularity.

The charm of "Kiku" lies in that tension. Warhol’s casual approach to silkscreening allowed imperfect registration, uneven inking, and layered accidents to remain visible. Rather than diminish the print, these effects animate it. The flower appears at once elegant and artificial, ancient and contemporary, refined and candy-bright – an image that softens Pop’s cool surface without losing its edge.

About the Artist

Andy Warhol (1928–1987) was the leading figure of Pop Art and one of the most influential artists of the 20th century. Beginning his career as a commercial illustrator, Warhol transformed everyday imagery—celebrities, consumer goods, and advertising—into icons of modern art. His embrace of silkscreen printing elevated the medium, making his graphic portfolios central to his practice and legacy.
From the bold Mick Jagger portraits to cultural reflections like Ads, Myths, and Cowboys and Indians, Warhol’s prints capture the energy of postwar America with striking color and immediacy. Today, his works are held in every major museum collection and remain highly sought-after by collectors worldwide. Warhol’s prints continue to embody the glamour, wit, and cultural sharpness that defined his vision, and they still resonate powerfully today.

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