$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol
$ (Quadrant) (FS.II.283), 1982 by Andy Warhol

$ (Quadrant) (FS.II.283), 1982

Medium: hand-signed unique screenprint on Lenox Museum Board
Signature: signed 'Andy Warhol' and annotated lower left center
Framed size: 48.5 x 41"
Price on Request
Details
Medium: hand-signed unique screenprint on Lenox Museum Board
Year: 1982
Edition: 73

Sheet size: 40.12 x 32.12"
Image size: 40.12 x 32.12"
Framed size: 48.5 x 41"

Signature: signed 'Andy Warhol' and annotated lower left center
Reference:
FS.II.283

Literature:
F. Feldman, J. Schellmann, and C. Defendi, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, 4th ed. New York: D.A.P. Inc, 2003. FS.II.283. pg. 127.


About the Work

"$ (Quadrant) (FS.II.283)" is a unique screenprint on Lenox Museum Board created by Andy Warhol in 1982. From the edition of 73 of which every print is unique, the artwork is signed 'Andy Warhol' and annotated lower left center. The artwork is framed in a custom closed-corner gold-tone frame and has a framed size of 48.5 x 41". The artwork ships framed and accompanied by a certificate of authenticity.

Andy Warhol’s "$ (Quadrant) (FS.II.283), 1982," presents one of the artist’s most direct late motifs: the dollar sign as an image of value, desire, branding, and exchange. Rather than treating money as a hidden force behind art and culture, Warhol places its symbol openly at the center of the composition. The result is a work that is both visually immediate and conceptually pointed.

The dollar sign was a natural subject for Warhol. Across his career, he repeatedly turned familiar symbols of consumer life into art, not simply to critique them, but to show how modern identity and desire are shaped by images. In the "Dollar Sign" series, that logic becomes especially clear. The symbol of money becomes a kind of logo, drawing, advertisement, and self-aware joke all at once. It is blunt, but that bluntness is part of its intelligence.

In "$ (Quadrant)," Warhol divides the sheet into four colored fields, each occupied by a large dollar sign. The format gives the work a strong architectural clarity. Unlike the denser rhythm of the "$ (9)" prints, this composition is cleaner and more frontal, allowing each symbol to command its own space while still participating in the larger grid. The repetition is unmistakably Warholian, but the quadrant structure also creates variation, contrast, and movement across the sheet.

A key feature of these prints is that each impression was printed in a unique colorway. This makes the specific palette central to the identity of each work. In this example, the lavender, turquoise, mauve, and blue grounds create a cool, structured framework, while the dollar signs bring in deeper greens, reds, purples, and dark accents. The effect is bold without feeling chaotic. This individuality is important, and within the 1982 "Dollar Sign" prints, the appeal of each example lies strongly with the individual color and visual presence.

"$ (Quadrant)" stands comfortably within the strongest part of Warhol’s late print production because the subject is immediately recognizable, the scale is commanding, and the image speaks directly to Warhol’s understanding of value as both economic and visual. It is not merely a decorative money image. It is a work about how symbols acquire power, how desire attaches to images, and how value can be manufactured, repeated, displayed, and transformed. In true Warhol fashion, the dollar sign becomes both the subject of the work and a sly reflection on the world that collects it.

About the Artist

Andy Warhol (1928–1987) was the leading figure of Pop Art and one of the most influential artists of the 20th century. Beginning his career as a commercial illustrator, Warhol transformed everyday imagery—celebrities, consumer goods, and advertising—into icons of modern art. His embrace of silkscreen printing elevated the medium, making his graphic portfolios central to his practice and legacy.
From the bold Mick Jagger portraits to cultural reflections like Ads, Myths, and Cowboys and Indians, Warhol’s prints capture the energy of postwar America with striking color and immediacy. Today, his works are held in every major museum collection and remain highly sought-after by collectors worldwide. Warhol’s prints continue to embody the glamour, wit, and cultural sharpness that defined his vision, and they still resonate powerfully today.

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